bullshit! It would never have worked.â
She got carried away. He didnât seem to mind; on the contrary, he laughed wholeheartedly.
âThe real Anny,â she said impatiently, âis in hiding. She protects herself. No one knows her. The only person who will find out who she is, is the man who will love her. Heâll be the only one, the first and the last.â
She burst into tears and hid her face in her hands, leaning forward on her stool. As she did this, she had a feeling of déjà vu; she realized she had just recited a scene from
The Girl at the Bar Across the Street
, a melodrama sheâd been in when she was sixteen. She stopped immediately. For sure,
The Girl at the Bar Across the Street
had been a flop; but she could not be sure that David hadnât seen it. If he realized that she was feeding him leftovers, heâd be on his guard. Moreover, the critics at the time had said that weeping and sobbing didnât really suit her, and even she hadnât liked her image on screen, with her red eyelids and swollen nose.
She wiped her tears and gave a short laugh.
âFooled you, didnât I. The one about the girl next door with the bleeding heart; itâs been part of my repertoire for a good while now.â
âI almost bought it.â
Reassured, he leaned right over to her on his stool, without falling; she had to admire his sense of balance. Sheâd never have been able to pull off such a stunt. The water drinker ran his fleshy lips along her neck, up to her ear, bit her earlobe, then murmured suggestively, âI want you.â
She thought for a moment, disturbed, remembering her new resolution: to say no.
âCome here,â she said, taking him by the hand.
He followed her, thinking she was leading him to a quiet spot. At the end of an endless metal staircase they came out onto a walkway that overlooked the room, a sort of caged-in corridor used by electricians and sound technicians.
âWhy here?â
âDavid, letâs pretend weâre in a film from the fifties. You know, the sort where a playboy in a tuxedo meets a woman in a gold lamé sheath.â
âHave you seen your dress?â he said, pointing to the ribbon wrapped around her butt. âIt must have shrunk in the wash.â
âPlease, try to be a little romantic. Arenât you romantic, David?â
He sighed and frowned.
âThis place you asked me to meet you isnât exactly romantic.â
She shrugged and waved her hand, pointing vaguely to the huge warehouse converted into a club.
âYou can make this place whatever you want it to be. All you have to do is use your imagination. Take that cable over there, for example.â
âSo?â
âWell, it can be a vine, if I want it to. And the discotheque can be a jungle.â
âSure,â he said, hypocritically. âMe Tarzan, you Jane. Already your outfit would be more suitable. Letâs remove a few more details.â
He walked over to her, swaggering, lifted up her shirt to show her torso, then placed his burning palms against her skin. She shuddered, about to embrace him, then forced herself to respect her vows of discretion.
âYou see?â she said ecstatically, stepping back and pulling her shirt back down.
In a flash she climbed over the railing, grabbed hold of the cable hanging from the column, and launched herself into the void, with an ape-manâs cry:
âAh . . . hi ho hi ha . . . ah, ah, ah, ah!â
Light as air, she swung over the dance floor, rid of all her fears. She was free of everythingâher past, her failings, her own self. She felt heroic. David would admire her, for sure.
Swinging ever wider and farther, she came nearer and nearer to the disco ball. She shouted out, full of enthusiasm.
Suddenly aware of her voice and her moving shadow, the dancers looked up. They slowed their movements. Everyone paused to wonder what that girl in boots was
Eleanor Coerr, Ronald Himler