Vale, two and a half years ago. Sheâd served him pilchards on toast and a cup of coffee, and had blushed scarlet when heâd caught her staring over his shoulder at the sketch-pad, at the bold, economical drawings.
âTheyâre ever so good,â sheâd said, shyly. âItâs the steel-works, isnât it?â and heâd nodded.
He was staying in Ebbw Vale for a fortnight, he said, making sketches.
And he was an artist, a proper artist, fourteen years older than herself, and heâd just come back, injured, from the civil war in Spain, and that evening he met her out of the café and kissed her in a doorway opposite the cinema and until that moment, sheâd been hoping that a certificate in shorthand and typing from an evening course in Merthyr might be her ticket out of 12 Barram Terrace and away from a recently acquired stepmother, who was making it unpleasantly clear that there was room for only one woman in the house. Sheâd imagined a future in a place as far away as Swansea â a job in a typing pool, perhaps, a bed in a hostel for single girls â but when Ellis had left for London, ten days later, heâd said âcome with me if you wantâ and sheâd done just that, sheâd run off with him, and, oh, the daring of it.
âAnd Iâll be useful,â sheâd promised Ellis. âIâll look after you ever so well.â Though, despite her best efforts, she wasnât much of a cook, and she could never seem to iron a shirt without leaving triangular scorch marks, and since she had never finished the shorthand part of her course, it had been hard, at first, finding a job that could make a decent contribution towards the rents for both studio and flat. Sheâd been lucky to find Mr Caradoc, who was deeply sentimental about his childhood in Wales, and who didnât mind a few errors.
Ebbw steelwks
Gouts of steam, evry single surfce black.
Filth & metallic purity, dkness & blinding lght, hvn & hell. Blake
Saw sheep looking thro yard railings. Unexpectedly white.
There was no mention of herself in the notes; it wasnât that type of diary, of course.
The last set of shutters slammed down and for a few seconds there was pitch darkness before the lights sprang on. Perry, over by the switch, shouted, âAny chinks?â and there was an answering ânoâ from the rooftop, and half a minute later Ellis squeezed between the double doors.
Catrin waved. âIâve brought you something to eat,â she called, and the two men strolled across, talking, and Ellis curled an arm around her waist and caught her close. âYouâll never guessââ she began.
âI wouldnât mind so much,â said Perry, continuing the conversation, âif it werenât for the fact that most of the stuff â present company excepted, of course â that most of the stuff being bought by the Committee is so bloody anodyne, kiddiesâ nurseries, and bank clerks in tin hats, and pretty vapour trails over fields of barley and even when thereâs a chance to show war, actual war , who do they pick to send to France with the BEF? Bloody illustrators , thatâs who they pick. And who do they turn down, even though he offered his services? Only Bomberg , poor old sod.â
âThey think heâs too leftish,â said Ellis. âGoes for those of us who went to Spain, as well.â
âThey turned down Bomberg!â repeated Perry, incredulously.
âIâve got some news,â said Catrin.
âAnd when the bombing starts in London,â added Perry, reaching for a chip, âwhen thereâs death on every doorstep, who will they get to paint the devastation?â He paused, dramatically. âBloody illustrators , thatâs who. Bet theyâre kicking themselves Beatrix Potterâs not available.â
Ellis shook his head. âItâll change. New forms of war require