and for the motel room in which the air conditioning could not be turned off . Notice the bourbon for the same motel room . Notice the typewriter for the airport, coming home: the idea was to turn in the Hertz car, check in, find an empty bench, and start typing the day’s notes .
It should be clear that this was a list made by someone who prized control, yearned after momentum, someone determined to play her role as if she had the script, heard her cues, knew the narrative . There is on this list one significant omission, one article I needed and never had: a watch . I needed a watch not during the day, when I could turn on the car radio or ask someone, but at night, in the motel . Quite often I would ask the desk for the time every half hour or so, until finally, embarrassed to ask again, I would call Los Angeles and ask my husband . In other words I had skirts, jerseys, leotards, pullover sweater, shoes, stockings, bra, nightgown, robe, slippers, cigarettes, bourbon, shampoo, toothbrush and paste, Basis soap, razor, deodorant, aspirin, prescriptions, Tampax, face cream, powder, baby oil, mohair throw, typewriter, legal pads, pens, files and a house key, but I didn’t know what time it was . This may be a parable, either of my life as a reporter during this period or of the period itself .
8
Driving a budget Rent-A-Car between Sacramento and San Francisco one rainy morning in November of 1968 I kept the radio on very loud . On this occasion I kept the radio on very loud not to find out what time it was but in an effort to erase six words from my mind, six words which had no significance for me but which seemed that year to signal the onset of anxiety or fright . The words, a li ne from Ezra Pound’s “In a Station of the Metro,” were these: Petals on a wet bl ack bough . Th e radio played “Wichita Lineman” and “I Heard It Through the Grapevine . ” Petals on a wet black bough . Somewhere between the Yolo Causeway and Vallejo it occurred to me that during the course of any given week I met too many people who spoke favorably about bombing power stations . Somewhere between the Yolo Causeway and Vallejo it also occurred to me that the fright on this particular morning was going to present itself as an inability to drive this Budget Rent-A-Car across the Carquinas Bridge . The Wichita Lineman was still on the line . I closed my eyes and drove across the Carquinas Bridge, because I had appointments, because I was working, because I had promised to watch the revolution being made at San Francisco State College and because there was no place in Vallejo to turn in a Budget Rent-A-Car and because nothing on my mind was in the script as I remembered it .
9
At San Francisco State College on that particular morning the wind was blowing the cold rain in squalls across the muddied lawns and against the lighted windows of empty classrooms . In the days before there had been fires set and classes invaded and finally a confrontation with the San Francisco Police Tactical Unit, and in the weeks to come the campus would become what many people on it were pleased to call “a battlefield . ” The police and the Mace and the noon arrests would become the routine of life on the campus, and every night the combatants would review their day on television: the waves of students advancing, the commotion at the edge of the frame, the riot sticks flashing, the instant of jerky camera that served to suggest at what risk the film was obtained; then a cut to the weather map . In the beginning there had been the necessary “issue,” the suspension of a 22-year-old instructor who happened as well to be Minister of Education for the Black Panther Party, but that issue, like most, had soon ceased to be the point in the minds of even the most dense participants . Disorder was its own point .
I had never before been on a campus in disorder, had missed even Berkeley and Columbia, and I suppose I went to San Francisco State expecting