who was coming out of the buttery at the time. (I donât know the details of why the second-year was in the buttery in the first place, and Iâm not enquiring, and he isnât one of my students, anyway.)
Weâre promised that light will be restored soon, but the workings of electricity companies are as intricate as a Tudor Court, so no one has any huge expectation of it. I hear the kitchens have announced a moratorium on the planned lamb and ratatouille, and thereâs a mass exodus arranged for the evening, either to the Turf or the Rose and Crown.
If your own part of College has been affected, and if you havenât any engagement for this evening, youâre most welcome to join my group at the Turf. Iâm dining early though, because I want to call on Nell West afterwards â youâll remember that her shop adjoins that excellent antiquarian bookseller in Quire Court. She phoned earlier to say there are two or three useful-looking books on WWI presently in their stock, all by fairly reputable authors, and that one appears to include some letters from a POW officer who had some contact with Siegfried Sassoon. I havenât any of the titles on my own shelves, and Nell has arranged to borrow the books for the evening so I can see if theyâre worth buying. I should say Iâm ever mindful of College budgets and of the Bursarâs blood pressure, and the books are actually from the second-hand rather than the antiquarian section (a nice distinction, I always think), so they arenât likely to cost very much.
The fiscal arrangements you propose for my own involvement in all this are very acceptable. Itâs a terrible world when academics have to consider the sordid subject of coinage, but so it is. Iâm sorry if youâve heard a rumour that Iâm on my beam ends, but I can assure you that any such rumour stems merely from finding myself unaccountably without funds at the Rose and Crown one night, after I had ordered a round of drinks and a platter of sandwiches. Matters were settled honourably the very next day, and the report of my impending bankruptcy was an exaggeration.
Regards,
O.B.
Three
T he casserole was very good and so was the wine served with it. Michael wondered if Luisa dined like this every night, alone and in semi-state, sipping a distinguished claret, the table laid with damask napkins and silver. It was difficult to imagine her eating off a tray in front of the television. He had not, in fact, seen a television at Fosse House yet.
Over the meal, Luisa made conventional enquiries about Michaelâs room, then went on to ask about the proposed book.
Michael said, âI think the Director of Music is very keen to include a section about the Palestrina Choir. Iâve only read a little about it myself. My involvement is mostly to do with the poets of the Great War â of how music influenced their outlook and their work.â He hesitated, then said, âIt sounded as if the Choir had a troubled life.â
She had been picking at her food in a rather desultory fashion, and she now abandoned it altogether. âIn its early years it achieved considerable success, but its eventual demise was tragic, Dr Flint.â
âYou had an ancestor who was part of it â have I got that right?â
âYes. Leonora. Her father was an English Gilmore several generations back. A several-times great uncle of mine, I think. He had married a Belgian girl and they lived in Liège.â
âThe home of the Choir?â
âYes, it was within the convent of Sacré-Coeur. Leonora entered the conventâs school in 1907 when she was nine.â She glanced at Michael as if to assure herself he was genuinely interested, then went on. âBy that time the Choir was well established. Wealthy people were wanting to place their daughters in the school because of the music traditionââ
âAnd Leonora was in the midst of it,â