The Web and The Root Read Online Free PDF

wood borders and the nigger shacks, and something haunting, soft, and lonely in the air. These people are really lost. They cannot get away from South Carolina, and if they get away they are no good. They drawl beautifully. There is the most wonderful warmth, affection, heartiness in their approach and greeting, but the people are afraid. Their eyes are desperately afraid, filled with a kind of tortured and envenomed terror of the old, stricken, wounded “Southness” of cruelty and lust. Sometimes their women have the honey skins, they are like gold and longing. They are filled with the most luscious and seductive sweetness, tenderness, and gentle mercy. But the men are stricken. They get fat about the bellies, or they have a starved, stricken leanness in the loins. They are soft-voiced and drawling, but their eyes will go about and go again with fear, with terror and suspicion. They drawl softly in front of the drug store, they palaver softly to the girls when the girls drive up, they go up and down the streets of blistered, sun-wide, clay-dust little towns in their shirt-sleeves, and they are full of hearty, red-faced greetings.
    They cry: “How are y’, Jim? Is it hot enough fer you?”
    And Jim will say, with a brisk shake of the head: “Hotter’n what Sherman said war was, ain’t it, Ed?”
    And the street will roar with hearty, red-faced laughter: “By God! That’s a good ’un. Damned if ole Jim didn’t have it about right too!”—but the eyes keep going back and forth, and fear, suspicion, hatred, and mistrust, and something stricken in the South long, long ago, is there among them.
    And after a day before the drug stores or around the empty fountain in the Courthouse Square, they go out to lynch a nigger. They kill him, and they kill him hard. They get in cars at night and put the nigger in between them, they go down the dusty roads until they find theplace that they are going to, and before they get there, they jab little knives into the nigger, not a long way, not the whole way in, but just a little way. And they laugh to see him squirm. When they get out at the place where they are going to, the place the nigger sat in is a pool of blood. Perhaps it makes the boy who is driving the car sick at his stomach, but the older people laugh. Then they take the nigger through the rough field stubble of a piece of land and hang him to a tree. But before they hang him they saw off his thick nose and his fat nigger lips with a rusty knife. And they laugh about it. Then they castrate him. And at the end they hang him.
    This is the way things are in South Carolina; it is not the way things are in Old Catawba. Old Catawba is much better. Although such things may happen in Old Catawba, they do not belong to the temper and character of the people there. There is a mountain cool in Old Catawba and the slants of evening. The hill men kill in the mountain meadows—they kill about a fence, a dog, the dispute of a boundary line. They kill in drunkenness or in the red smear of the murder lust. But they do not saw off niggers’ noses. There is not the look of fear and cruelty in their eyes that the people in South Carolina have.
    Old Catawba is a place inhabited by humble people. There is no Charleston in Old Catawba, and not so many people pretending to be what they are not. Charleston produced nothing, and yet it pretended to so much. Now their pretense is reduced to pretending that they amounted to so much formerly. And they really amounted to very little. This is the curse of South Carolina and its “Southness”—of always pretending you used to be so much, even though you are not now. Old Catawba does not have this to contend with. It has no Charleston and it does not have to pretend. They are small, plain people.
    So Old Catawba is better because it is more “North.” Even as a child, George Webber realized that in a general way it was better to be more North than South. If you get too North, it gets no good.