go ahead and get a vanity plate that says, DOUCHE BAG? A question that must have been plainly written on his face, because no sooner had it crossed Kittridge’s mind than Warren went red with embarrassment. He wasn’t wearing his usual suit, just jeans and a T-shirt with SLOAN SCHOOL OF MANAGEMENT printed on the front. He’d wanted Kittridge to see his car, that was obvious, but now that he’d allowed this to happen, he’d realized how dumb it was, showing off a vehicle like that to a floor manager at Outdoor World who probably made less than fifty grand a year. (The number was actually forty-six.) Kittridge allowed himself a silent laugh at that—the things this kid didn’t know would fill a book—and he let the moment hang to make the point.
I know, I know
, Warren confessed.
It’s a little much. I told myself I’d never be one of those assholes who drive a Ferrari. But honest to God, you should feel the way she handles
.
Kittridge had gotten Warren’s address off his invoice. By the time he moved in—Warren presumably snug and safe in Alaska—it was simply a matter of finding the right key in the manager’s office, putting it into the slot in the elevator panel, and riding eighteen floors to the penthouse. He unloaded his gear. A rolling suitcase of clothes, three lockers of weaponry,a hand-crank radio, night-vision binoculars, flares, a first-aid kit, bottles of bleach, an arc welder to seal the doors of the elevator, his trusty laptop with its portable satellite dish, a box of books, and enough food and water to last a month. The view from the balcony, which ran the length of the west side of the building, was a sweeping 180 degrees, looking toward Interstate 25 and Mile High field. He’d positioned cameras equipped with motion detectors at each end of the balcony, one to cover the street, a second facing the building on the opposite side of the avenue. He figured he’d get a lot of good footage this way, but the money shots would be actual kills. The weapon he’d selected for this task was a Remington bolt-action 700P, .338 caliber—a nice balance of accuracy and stopping power, zeroing out at three hundred yards. To this he’d affixed a digital video scope with infrared. Using the binoculars, he would isolate his target; the rifle, mounted on a bipod at the edge of the balcony, would do the rest.
On the first night, windless and lit by a waning quarter moon, Kittridge had shot seven: five on the avenue, one on the opposite roof, and one more through the window of a bank at street level. It was the last one that made him famous. The creature, or vampire, or whatever it was—the official term was “Infected Person”—had looked straight into the lens just before Kittridge put one through the sweet spot. Uploaded to YouTube, the image had traveled around the globe within hours; by morning all the major networks had picked it up. Who is this man? everyone wanted to know. Who is this fearless-crazy-suicidal man, barricaded in a Denver high-rise, making his last stand?
And so was born the sobriquet, Last Stand in Denver.
From the start he’d assumed it was just a matter of time before somebody shut him down, CIA or NSA or Homeland. He was making quite a stir. Working in his favor was the fact that this same somebody would have to come to Denver to pull the plug. Kittridge’s IP address was functionally untraceable, backstopped by a daisy chain of anonymizer servers, their order scrambled every night. Most were overseas: Russia, China, Indonesia, Israel, Sudan. Places beyond easy reach for any federal agency that might want to pull the plug. His video blog—two million hits the first day—had more than three hundred mirror sites, with more added all the time. It didn’t take a week before he was a bona fide worldwide phenomenon. Twitter, Facebook, Headshot, Sphere: the images found their way into the ether without his lifting a finger. One of his fan sites alone had more than two million
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