the uniform white.
Seeing the ocean so close made me yearn for a swim, if only to wash away the musty smell that had been clinging to me since Madrid and my last shower. I thought about how it would be to swim with Ãlodie. I could see her figure cutting through the water, her legs moving in tandem and her arms spreading out gracefully. In my imagination her body became one with the water. I would paddle and splash, but she would swim as though she were dancing.
We reached the end of the street. The boats were swaying on the bay. Ãlodie was smirking for some reason. It began to irritate me.
âWhat is it?â
âNothing,â she replied. âYou just happen to be very amusing. Come, letâs leave this horrid town. There must be a taxi by now.â
The walk back to the station did not feel as long. And there were two taxis waiting. One was a Renault, the other a Mercedes. Ãlodie chose the Mercedes.
âI have to ask,â she said, once we were next to each other in the taxi. âWhy did you choose to take the train? Was there no despicable low-cost flight from Madrid to Paris?â
âI prefer to take the train. There is something grand about it. And I like being able to see the land.â
The road wound around a bluff and out of the town, following the seaside. The landscape remained beautifulâgreen and stately, but also wildâand the ochre rocks on the coastline were arranged in strata. I preferred this untended nature to the Parisian sculptural aesthetic. The parks there were designed pedantically along lines of symmetry, asserting dominance over growth. They made the city more stunted and static than it already was.
âIs she pretty?â Ãlodie asked. She must have been staring at me for all of this time.
âWho?â
âYour girlfriend, or whatever she is.â
âWhy are you so obsessed with her?â
âWhy are you so protective of her? Surely there is nothing to be ashamed of.â
âThere isnât. Pretty is the wrong word, though.â
âWhy? Do you think Iâm pretty?â
I took Ãlodie in, from her pointed toe to her almost masculine jaw.
âNo,â I said. âPretty is the wrong word for you.â
âGood. I ask because I cannot imagine her being preoccupied with her appearance.â
âArenât most women?â
âChrist. Clearly you havenât met many of them. But she is not a radiant beauty, is she?â
âThat depends on the definition. You want me to tell you how radiantly beautiful you are, donât you?â
âI donât need to be told that, least of all from a nervous young art history student.â
âYou wouldnât find it reassuring?â
âNot in the slightest. Quite the opposite, in fact. And the girl has to be pretty. Otherwise you would not be wasting your time.â
I wished she would stop talking about Sophie. It felt wrong to be talking about her to a strangerâlet alone one who criticised her so openly.
âIn that case,â I said, âwhy do you want to know about her? Youâre not jealous, are you?â
She cast a look of dead seriousness at me. It was and still is a horrific stencil on my mind. The car became quiet. I could feel the blush creeping up my cheeks again and begged it to go away.
âI am afraid to ask,â she said. âBut have you any other clothes?â
âNot many.â
âI can see them already. We must find you something in Biarritz, or they will not let us in the hotel.â
âLike what?â
The distance between us had grown. She curled her body up against the door, and when she turned to survey me it was with reproof. She opened her mouth, showing those sharp teeth, and spent a while judging me in silence.
âThe jacket will do,â she said. âWhere did you get it?â
âIn Paris, at the Galeries Lafayette.â I said this with a shade of pride,
David Drake (ed), Bill Fawcett (ed)