ladies’ tailor in the Harmony Salon on Rissleite. Sometimes Christian would go to see the Rohdes, for some more or less valid reason, so that he could have a good look at the staircase and landing, and the art nouveau details in their apartment. No side of the house was like any of the others. The stairwell stuck out at the front, like the bow of a ship, the shape emphasized by four windows, a single one higher up and three a little lower down, as in a gallery. The lone upper window, over which the roof described an elongated curve, was like an oversized keyhole. Christian put his bag down and went in through the double doors, each shaped like the prow of a gondola, to switch the light on. The portico, an Oriental-looking pavilion set in the masonry, was lit by the hall windows, which had been decorated, as in Dolphin’s Lair, with flowers and plants. Dame’s violets wound their way up the storeys as far as the keyhole window, interrupted by a keystone between the floors that was adorned with two facing sandstone spirals. And to the left, on the side of the jutting-out stairwell that faced Turmstrasse, a decrepit oriel was squatting on its corbel; it belonged to the Rohde apartment. In many places, the plaster revealed the bricks that had been eaten away by time and rain.
‘Shall we ring? – No,’ Meno murmured. ‘Come on.’ They continuedon their way, Meno head bowed, hands in his coat pockets, hat pulled down over his face.
On Mondleite the elms were stretching out their skeleton branches against the sky. It began to snow. The flakes gusted and drifted across the road, which hardly had enough room for the Ladas, Trabants and Wartburgs that squeezed up against the very edge, here and there shouldering aside the broken, weather-beaten fences, overgrown with brambles. The mantles of the lamps that were still working began to flutter, reminding Christian of the visions he’d had during evening walks of carriages appearing outside the silent houses that had withdrawn into the past, emerging from the nocturnal haziness of Mondleite and Wolfsleite on winter evenings such as this and driving up or away, inaudible in the snow – ladies with ermine muffs got out after a zealous servant had opened the carriage door, the horses snorted and shuffled in their harnesses, scenting oats and sugar, their home stable, and then the gate with the two sandstone balls on the pillars and the spiral lady’s tresses ornament carved on the arch opened, cries rang out, a chambermaid hurried down the steps to take the luggage … Christian started when he heard a barn owl screech. Meno pointed to the oak trees by the House with a Thousand Eyes, which had come into view, half hidden behind the gate and the massive copper beech. It stood at the side of a wider stretch of road, into which Mondleite led, and which, where the oak trees grew, formed a sharp bend between Mondleite and Planetenweg. Meno took out the key, but the house still seemed far away to Christian, inaccessible, woven into the beech tree branches as if in a large coral in the night. The shriek of a barn owl came from the park that fell away steeply from Mondleite and was separated from the garden of the House with a Thousand Eyes by a line of Bhutan pines, whose resinous fragrance mingled with the metallic smell of the snowy air. ‘Here we are, then.’
And Christian thought, Yes, here we are. This is your home. Andwhen I go in, when I cross the threshold, I will be transformed. The Teerwagens across the road seemed to be having a party; a clatter of laughter came from the physicist’s apartment in the house that Christian and Meno called the ‘Elephant’ – massy, yet elegantly proportioned, undulating at the rounded corner of the façade with oyster-like balconies and rusty flowers sitting on its art nouveau railings like large-winged, melancholy moths. Meanwhile, Meno had scraped out his pipe, chewed a few mints, then gone on ahead, down the path of broken sandstone
Mandy M. Roth, Michelle M. Pillow