all over the state. She'd started off cleaning and taking care of his big house, which he never lived in because he had taken a mistress in Cleveland. Pittman's wife lived in California, at their other house. Aunt Etta also helped with the orchards next to the house during the picking season, assisting the foreman. Sometimes it seemed like she was the foreman. In the off season, with almost no one around, Aunt Etta took up the position of being in charge almost by default.
I'd like to think that the Aunt Etta I met as a child was very different from the Aunt Etta from before, that the rare hints of good humor and of kindness had once been a fireworks display. She, like me, had come from up north, from near Minneapolis, and she had also been fleeing disaster: a bad marriage, and dead-end jobs afterwards that never matched up with the comfortable, even rich, life she'd had before. She never talked about her brother, my father, but she'd so loathed those crappy jobs that she still muttered about them, couldn't let go of past slights and injustices. Other muttering came from resentment over Pittman keeping an exhaustive catalog of the house's many treasures - and having someone come and check that they were still there every six months, "as if I'm not to be trusted." Revenge for Aunt Etta came in the form of pretending she was related to Pittman, and using that to control the foreman, in a variety of ways.
She had what looked to me like a boxer's hands, all knuckles and calluses, and she used them like a boxer sometimes, too. The pickers, behind her back, called her "Auntie Dempsey" after Jack Dempsey. A tall woman with some meat on her, she used to boss the Mexican immigrants around - she stood over them like a stern, plump statue of liberty. They all feared her, endured her.
For my part, as soon as I had sense enough to understand Aunt Etta, I tried to keep out of her way. The rest of the time, I obeyed her the best I could, and looked forward to each and every day of school at Littlewood Elementary and, later, Westwood Middle School. I didn't make many friends, never felt comfortable, but at least other kids were around. No kids on the Pittman land, except for the children of the Mexican laborers, and they wouldn't play with me by the bungalow because of Aunt Etta. I had to sneak off into the groves. Even then, they were wary as the deer that sometimes appeared at dusk, while I, husky and my face ruddy with acne, felt like some clumsy monster barging in on their peace and quiet. Sure, there were kids at the Episcopalian church we sometimes went to on Sundays, but with Aunt Etta it was always go in, worship, and, as she put it, "get the hell out." I always wanted to "get the hell out," too, so in a way perfunctory church-going formed a bond between us.
I guess maybe that's why I said yes to Sensio in the first place - to have someone to play with, even if a rabbit was just a couple steps up from a doll. It was a summer day, I remember. I was just hanging around the pond behind the bungalow, in my bathing suit, watching the water ooze into the soil and wondering how the smell of oranges could have gone from smelling good to being an awful stench, and then a nothing, a scent that had no texture, no impact. I was in that good, silent place where the sun's warm on your skin and the breeze moves lazily over the hairs on your forearms.
The man was a presence leaning over me, and then a shadow through the sunlight from which appeared a darkened face, alongside a voice like the soft rasp of weather-beaten leather that said, "Would you like a rabbit?" Then through my squint the figure resolved into a withered old man with only one eye and one arm. Where the eye should have been there was just an obsidian-black hole. Where the arm should have been, there was just a blue sleeve flapping in the breeze. He had a strange whispering rasp to his accent that drifts away from me whenever I try to identify it. A vague thought in my head that