searching the same places over again or different ones, they all looked the same, the same people and roads and buildings. Had she missed him, gone right past him? Was she flying around in circles, not making any progress at all, while all the time he was getting further and further away?
The flashes were coming faster. She screamed his name all around her, again and again and again.
âRitchie! Ritchie! Ritchie!â
Then she knelt in the road and shrieked, no words coming out, just sounds. Car horns blared. Through the flashing lights came voices:
âLook at her. Sheâs not well.â
âIs it drugs?â
Emmaâs head was full of noise. There was too much color and movement. She couldnât cope; everything was coming too fast. She couldnât think. Too many things to think about. Too urgent. Too much. She fell forward onto her hands. The road rushed at her face.
âAre you all right?â a woman asked.
âSomeone call an ambulance.â
They swirled, blurred, and were gone.
Chapter Three
The light was blue and dim. Gentle on her eyes. Outside the patterned curtain, a muffled symphony of voices and footsteps; inside, a little square of hush where she was. She was in a bed and her knees were sore and stiff. Sheâd had a terrible dream that Ritchie had died. No, sheâd left him on a train. She couldnât remember. It was all right now anyway. She was awake. It was over.
At the end of the bed, a girl in a blue tunic was busy writing something into a folder. Emma watched her drowsily. She felt sleepy, comfortable and secure; a sensation of well-being such as she hadnât had for a long, long time. The girl turned a page, checked something, turned back and wrote again. She had a delicate way of moving her fingers. Soothing. Hypnotic. As a child, sleeping at her granâs house, Emma had woken one night to see her mum sitting at the dresser under the window, going through some old letters. The lamp was tilted low, the only light a yellow pool over the paper. Emma had lain there for a long time, cozy and safe, listening to the rustlings and watching her motherâs fingers turn the pages.
After a while she murmured to the girl in blue: âWhere am I?â
The girl glanced up quickly. âOh. Youâre awake.â
She put the folder down and hurried over to Emma.
âYouâre in hospital, Emma. The Royal London Accident and Emergency department. Do you remember the ambulance bringing you in?â
Ambulance? Emma frowned. Something struck her then, and she pulled herself up in the bed. She stared around the quiet blue cubicle.
âWhereâs Ritchie?â she asked. âWhereâs my little boy?â
âExcuse me.â The nurse dipped under one side of the curtain and beckoned to someone outside. The curtains shadowed, bulked, pulled aside. A shaven-headed man came in. He wore a short-sleeved white shirt and bulky black vest. A radio jutted from his left shoulder.
Emmaâs heart sank.
âRitchie.â She sat up further. âWhatâs happened to Ritchie?â
The policeman didnât say anything. Emma began to sob wildly. âRitchie,â she cried. âRitchie, where are you?â It wasnât a dream, then. Ritchie was gone. But what was wrong with her? She felt so sluggish and strange. Why couldnât she remember what had happened?
âFind him,â she begged the policeman. âPlease. You have to find him.â
âWeâre trying to,â the policeman assured her. âThe problem is, thereâs been some confusion as to exactly what happened. Youâve been unconscious for the last two hours. I believe youâve had some kind ofââhe glanced at the nurseââsedative?â
The nurse said defensively: âShe was screaming when the ambulance brought her in. Trying to run back into the street. A danger to herself. We didnât know.â
It was as if they