on international law rather than strategic conflict, though of course, consistent with my general thesis, the two subjects are treated as inextricably intertwined.
Part III, “The Society of Market-States,” depicts the future of the society of states. Its chapters hypothesize various possible worlds that depend on different choices we are even now in the process of making. Most of this Part is devoted to a series of scenarios about the future, adapting methods pioneered by the Royal Dutch Shell Corporation. Book II ends with the conclusion that, by varying the degree of sovereignty retained by the People, different societies will develop different forms of the market-state. The task ahead will be to develop rules for cooperation when these differ-ent approaches frustrate consensus or even invite conflict—a conflict that could threaten the very survival of some states.
Finally, I should like to provide some background regarding the title of this work. “The Shield of Achilles” is the name of a poem by W. H. Auden. At the end of this book I have reprinted that poem in full. It provides, in alternating stanzas, a juxtaposition of the epic description of classical heroic warrior society with a gritty, twentieth century depiction of warfare and civilian suffering. It is important to remember, in the discussions on which we are about to embark, that they ultimately concern violence, and that our moral and practical decisions have real consequences in the use of force, and all that the use of force entails for suffering and death. This is the first point to be suggested by the title.
The shield for which Auden named his poem and to whose description much of the poem is devoted is described by Homer in Book XVIII of the
Iliad, lines
558 – 720 (see pp. ix – xiii ). Many readers will be familiar with this famous passage, which has inspired paintings by Rubens, Van Dyck, West, and others as well as countless classical Greek depictions. It will be recalled that the Trojan hero Hector had claimed the armor worn by Patroclus when he slew Patroclus in battle; this armor had belonged to Achilles. Patroclus had borne Achilles armor into battle in an effort to inspire the Greeks by making them believe that Achilles himself had taken the field. Achilles then asked his mother, the sea goddess Thetis, to procure for him another set of armor from Hephaestus, the armorer of the gods, whose forge was beneath the volcano at Mount Etna.
Hephaestus's mirror, which showed the past, present, and future, might also come to the minds of some persons. It is my aim not only to support certain theses about strategy, law, and history with arguments drawing on the past, but to illuminate our present predicament and speculate about the choices the future will present us. This is another resonance of this title to which I wish to call attention.
Hephaestus created an elaborate shield on which he depicted a wedding and feasts, a marketplace, dancing and athletics, a law court, and a battle, along with other arts of culture, the cultivation of fields, and the making of wine. This is the main point that I wish my readers to bear in mind: war is a product as well as a shaper of culture. Animals do not make war, even though they fight. No less than the market and the law courts, with which it is inextricably intertwined, war is a creative act of civilized man with important consequences for the rest of human culture, which include the festivals of peace.
CONCLUSION
Many things ought to look different after one has finished reading this book: former U.S. President Bill Clinton, British Prime Minister Tony Blair, and German Chancellor Gerhard Schroeder, who have been widely criticized in their respective parties, will be seen as architects attempting a profound change in the constitutional order of a magnitude no less than Bismarck's. As of this writing, U.S. President George W. Bush appears to be pursuing a similar course on many fronts. Foreign