name.â
âItâs Redvers Strettonâusually known as Red.â
âOh!â I was disappointed and showed it.
âYou donât like it?â
âWell, Red is not very dignified.â
âDonât forget it is really Redvers which you must admit is more so.â
âIâve never heard that name before.â
âI must say in its defense that itâs a good old West Country name.â
âIs it? And I thought it should go with Crediton.â
That amused him secretly. âI couldnât agree more,â he said.
I had a notion that he was laughing at me and that I was being very naive.
He said: âI must ask yours, mustnât I, otherwise you may think me impolite.â
âI shouldnât but if you really want to knowâ¦â
âOh, I do.â
âItâs Anna Brett.â
âAnna Brett!â He repeated it as though memorizing it. âHow old are you, Miss Anna Brett?â
âIâm twelve.â
âSo youngâ¦and so knowledgeable.â
âItâs living in the Queenâs House.â
âIt must be like living in a museum.â
âIt is in a way.â
âIt makes you old before your time. You make me feel young and frivolous.â
âIâm sorry.â
âPlease donât be. I like it. Iâm seven years older than you.â
âSo much?â
He nodded and his eyes seemed to disappear when he laughed.
The manservant had come back into the hall.
âHer ladyship is requesting the young ladyâs presence,â he said. âWill you follow me, miss?â
As I turned away Redvers Stretton said: âWeâll meet againâ¦less briefly, I hope.â
âI shall hope so too,â I replied sedately and sincerely.
The manservant gave no indication that he considered Redvers Strettonâs behavior in the least strange and I followed him past the suit of armor up the wide staircase. I was almost certain that the vase at the turn of the staircase was of the Ming reign because of the rich violet color of the porcelain. I could not prevent myself gazing at it, then I turned and saw Redvers Stretton standing looking up at me, legs slightly apart, hands in pockets. He bowed his head in acknowledgment of the compliment I had paid him by turning round and I wished I hadnât because I felt it showed a rather childish curiosity. I turned away and hurried after the servant. We came to a gallery hung with oil paintings, and I felt a little impatient with myself because I could not assess their value. The largest of the pictures in the center of the gallery was of a man and I was able to guess that it had been painted some fifty years before. I was certain it was Sir Edward Crediton, the founder of the shipping line, the dead husband of the woman I was shortly to see. How I wished I might have paused longer to study it; as it was I caught a fleeting glimpse of that rugged faceâpowerful, ruthless, perhaps yes, and with a slight tip-tilt of the eyes which was so pronounced in the man I had met a few minutes ago. But he was not a Crediton. He must be a nephew or some such relation. It was the only answer.
The servant had paused and tapped on a door. He threw it open and announced: âThe young lady, my lady.â
I entered the room. Aunt Charlotte was seated on a chair, very straight-backed, expression grim, in her best bargaining mood. I had seen her like this often.
Seated on a large ornamental chairâRestoration period with the finely scrolled arms and the crown emblemsâsat a woman, also large but scarcely ornamental. She was very dark, her skin sallow and her eyes looked as black as currants and as alert as a monkeyâs. They were young eyes and defied her wrinklesâyoung and shrewd. Her lips were thin and tight; they reminded me of a steel trap. Her large hands, quite smooth and white were adorned by several ringsâdiamonds and rubies.
R. C. Farrington, Jason Farrington