The Road Back
of supply depots. A spacious park with plane-trees. Stretchers and wounded under the trees. The leaves are falling and covering them in red and gold.
    A gas hospital. Bad cases that cannot be moved. Blue faces, waxen green faces, dead eyes, eaten by the acid; wheezing, choking, dying men. They all want to get away; they are afraid of being taken prisoner.—As if it were not a matter of indifference where they die.
    We try to cheer them, telling them they will be better cared for with the Americans. But they do not listen. Again and again they call to us to take them with us.
    The cries are terrible. The pallid faces seem so unreal in the light out here in the open. But most awful are the beards. They take on a life of their own, they stand out stiff, fantastical, growing, luxuriating over the sunken jaws, a black fungus that feeds and thrives the more these sag and waste away.
    A few of the badly wounded reach out their thin, grey arms like children. "Take me with you, mate," they say, imploring. "Take me with you, mate." In the hollows of their eyes already lurk deep, strange shadows, from which the pupils struggle up with difficulty like drowning things. Others are quiet, following us as far as they can with their eyes.
    The cries sound gradually fainter. The road drags on toilsomely. We are carrying a lot of stuff—a man must bring something back home with him. Clouds hang in the sky. During the afternoon the sun breaks through, and birch-trees, now with only a few leaves left, hang mirrored in puddles of rain along the way. Soft blue haze is caught in the branches.
    As I march on with pack and lowered head, by the side of the road I see images of the bright, silken trees reflected in the pools of rain. In these occasional mirrors they are displayed clearer than in reality. They get another light and in another way. Embedded there in the brown earth lies a span of sky, trees, depths and clearness. Suddenly I shiver. For the first time in many years I feel again that something is still beautiful, that this in all its simplicity is beautiful and pure, this image in the water pool before me —and in this thrill my heart leaps up. For a moment all that other falls away, and now, for the first time I feel it; I see it; I comprehend it fully: Peace. The weight that nothing eased before, now lifts at last. Something strange, something new flies up, a dove, a white dove. Trembling horizon, tremulous expectancy, first glimpse, presentiment, hope, exaltation, imminence: Peace.
    Sudden panic, and I look round—there behind me on the stretchers my comrades are now lying and still they call. It is peace, yet they must die. But I, I am trembling with joy and am not ashamed. And that is odd.
    Because none can ever wholly feel what another suffers —is that the reason why wars perpetually recur?
    2.
    In the afternoon we are sitting around in a brewery yard. From the office of the factory comes our company commander, Lieutenant Heel, and calls us together. An order has come through that representatives are to be elected from the ranks. We are astounded. No one has ever heard of such a thing before.
    Then Max Weil appears in the courtyard, waving a newspaper and shouting: "There's revolution in Berlin!"
    Heel swings around. "Rubbish!" he says sharply. "There are disturbances in Berlin."
    But Weil has not done yet. "The Kaiser's fled to Holland!"
    That wakes us up. Weil must be mad surely. Heel turns fiery red. "Damned liar!" he roars.
    Weil hands him the paper. Heel screws it up and glares furiously at Weil. He cannot bear Weil, for Weil is a Jew, a quiet fellow, who is always sitting about, reading. But Heel is a fire-eater.
    "All talk," he growls and looks at Weil as if he would choke him.
    Max unbuttons his tunic and produces yet another Special Edition. Heel glances at it, tears it to bits and goes back into his billet. Weil gathers up the shreds of his newspaper, pieces them together and reads us the news. And we just sit there
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