investigator, highly regarded by the countryâs senior leaders, crouching on a pile of birchwood logs like a puppy too scared of the water to appreciate its surroundings; this behavior had already become a factor in his investigation of a case that would become an international scandal if the accusations proved to be true. So spectacular that if it were made into a movie, people would scoff. He supposed he was a bit drunk, but that didnât alter the fact that Crewcut was a sneak, and not altogether normal, no, decidedly not normal. The investigatorâs imagination began to soar, wings and feathers carried on gusts of wind. The crewcut young man is probably a member of the gang of people who eat infants, and was already planning his escape while he was leading me through the maze of logs. The path he chose was Ml of traps and dangers. But he had underestimated the intelligence of Ding Gouâer.
Ding clasped his briefcase to his chest, for in it, heavy and steely hard, was a Chinese six-nine repeater. Pistol in hand, he was bold, he was brave. Reluctantly he took a last look at the birchwood and oak logs, his colorful comrade logs. The cross-sectioned patterns turned them into targets, and as he fantasized hitting a bullâs-eye, his legs carried him to the edge of the sunflower forest.
That a quiet, secluded place like this could exist in the midst of seething coal mines reminded him of the power of human endeavor. The sunflowers turned their smiling faces to greet him. He saw hypocrisy and treachery in those emerald green and pale yellow smiles. He heard cold laughter, very soft, as the wind set the broad leaves dancing and rustling. Reaching into his briefcase to feel his cold, hard companion, he strode purposefully toward the red buildings, head held high. With his eyes fixed on the red buildings, he felt a palpable threat from the surrounding sunflowers. It was in their coldness and the white burrs.
Ding Gouâer opened the door and walked in. It had been quite a journey, filled with a range of experiences, but finally he was in the presence of the Party Secretary and the Mine Director. The two dignitaries were about fifty, and had round, puffy faces like wheels of baked bread; their skin was ruddy, about the color of thousand-year eggs; and each had a bit of a generalâs paunch. They wore gray tunics with razor-sharp seams. Their smiles were kindly, magnanimous, like most men of high rank. And they could have been twins. Grasping Ding Gouâerâs hand, they shook it with gusto. They were practiced hand-shakers: not too loose, not too tight; not too soft, not too hard. Ding Gouâer felt a warm current surge through his body with each handshake, as if his hands had closed around nice pulpy yams straight from the oven. His briefcase fell to the floor. A gunshot tore from within.
Pow-!
The briefcase was smoking; a brick in the wall crumbled. Ding Gouâerâs shock manifested itself in hemorrhoidal spasms. He actually saw the bullet shatter a glass mosaic painting on the wall; the theme was Natha Raises Havoc at Sea. The artist had fashioned the heavenly Natha as a plump, tender little baby boy, and the investigatorâs accidental firing had mangled Nathaâs little pecker.
âA crack shot if I ever saw one!â
âThe bird that sticks out its head gets shot!â
Ding Gouâer was mortified. Scooping up his briefcase, he took out the pistol, and flipped on the safety.
âI could have sworn the safety was on,â he said.
âEven a thoroughbred stumbles sometimes.â
âGuns go off all the time.â
The magnanimity and consoling words from the Mine Director and Party Secretary only increased his embarrassment; the high spirits with which he had stormed through the door vanished like misty clouds. Cringing and bowing low, he fumbled with his ID card and letter of introduction.
âYou must be Comrade Ding