that burnt itself out in his heart within a second. Then he drew back, his lips resting against her frail throat. He could feel her pulse. The craving for the full draught was almost more than he could bear. Sin and atonement. He let her go. He smoothed her soft, springy curls, as he looked into her misted eyes.
Do not remember
.
“Good-bye now,” she said, smiling.
H E STOOD motionless on the deserted sidewalk. And the thirst, ignored and sullen, gradually died back. He looked at the cardboard sheath of the video cassette.
“A dozen channels,” she had said. “I caught them all over, actually.” Now if that was so, his charges had already seen Lestat, inevitably, on the large screen positioned before them in the shrine. Long ago, he’d set the satellite dish on the slope above the roof to bring them broadcasts from all the world. A tiny computer device changed the channel each hour. For years, they’d stared expressionless as the images and colors shifted before their lifeless eyes. Had there been the slightest flicker when they heard Lestat’s voice, or saw their very own image? Or heard their own names sung as if in a hymn?
Well, he would soon find out. He would play the video cassette for them. He would study their frozen, gleaming faces for something—anything—besides the mere reflection of the light.
“Ah, Marius, you never despair, do you? You are no better than Lestat, with your foolish dreams.”
. . .
I T WAS midnight before he reached home.
He shut the steel door against the driving snow, and, standing still for a moment, let the heated air surround him. The blizzard through which he’d passed had lacerated his face and his ears, even his gloved fingers. The warmth felt so good.
In the quiet, he listened for the familiar sound of the giant generators, and the faint electronic pulse of the television set within the shrine many hundreds of feet beneath him. Could that be Lestat singing? Yes. Undoubtedly, the last mournful words of some other song.
Slowly he peeled off his gloves. He removed his hat and ran his hand through his hair. He studied the large entrance hall and the adjacent drawing room for the slightest evidence that anyone else had been here.
Of course that was almost an impossibility. He was miles from the nearest outpost of the modern world, in a great frozen snow-covered waste. But out of force of habit, he always observed everything closely. There were some who could breach this fortress, if only they knew where it was.
All was well. He stood before the giant aquarium, the great room-sized tank which abutted the south wall. So carefully he had constructed this thing, of the heaviest glass and the finest equipment. He watched the schools of multicolored fishes dance past him, then alter their direction instantly and totally in the artificial gloom. The giant sea kelp swayed from one side to another, a forest caught in a hypnotic rhythm as the gentle pressure of the aerator drove it this way and that. It never failed to captivate him, to lock him suddenly to its spectacular monotony. The round black eyes of the fish sent a tremor through him; the high slender trees of kelp with their tapering yellow leaves thrilled him vaguely; but it was the movement, the constant movement that was the crux.
Finally he turned away from it, glancing back once into that pure, unconscious, and incidentally beautiful world.
Yes, all was well here.
Good to be in these warm rooms. Nothing amiss with the soft leather furnishings scattered about the thick wine-colored carpet. Fireplace piled with wood. Books lining the walls. And there the great bank of electronic equipment waiting for him to insert Lestat’s tape. That’s what he wanted to do, settle by the fire and watch each rock film in sequence. The craft intrigued him as well as the songs themselves, the chemistry of old and new—how Lestat had used the distortions of media to disguise himself so perfectly as another mortal rock