âYou already said that.â
âArenât you missing your show?â
âItâs over. I came to be with you.â
âIâm learning by heart.â
She looks at my station. âAnd what else after?â
âNothing.â
âOnly this and then youâre free? Youâre almost done!â
âIâm having a hard time.â
âFinish! Be done!â
âThe copying I liked but nothing sticks.â
She takes the mimeographed columns from my hands and breathes their purple scent, for a long time. When she comes up, the sun of good ideas lights her sky-blue eyes. She says, âYou need a hands-on exercise.â
And these are the things which the orphan says, get:
Cream of wheat. Soy oil.
Sliced salami. Plum jam.
Corkscrew noodles in sauce.
âAnything else red?â she says, rummaging through the fridge. She finds the ketchup in the door. âWhat else?â
âA paper towel for each mess.â
âWhat else?â
âFor the fire weâll just make noise.â
She says, âWeâll figure it out as we go.â
Never was homework so alive.
Red on the corners of the counter. Red at the base. This I will not forget. Grain meal whispering while pouring, as she waves cold cuts in the air. (She likes the way I can control the sandy stream. She nods. âYou should fill your hands of it,â she says.) The sensation of the meal grains passed in the thousands, hand to hand. (She drapes the cold cuts on her shoulders like a pair of epaulettes. âNow hold still.â) The grains sopping the weight of drops and cleaving to each other, then to the creases of the palms. (âMingle,â she says, twisting the oil cap.)
We mingle it until our fingers turn the coarse dough gray. Our hands had looked perfectly clean.
We push the matter into different shapes, then scoop and pound it into a sturdier stock and start over with an animal theme. We try again with the idea of a whole landscape, which needs a base. Salami is a natural choice. Fish sticks make good trees. Some of the plums in the jam are entirely whole, only shrunk and hollow. One contains part of a pit.
Now, when the clockâs tin hand shudders, itâs no longer punishment to me. I donât fill with the early sorrow of my favorite show coming and passing, unseen because unearned. The time draws close and I have earned the time. The sound of struggle is a prize.
The solid foods come away easily. The sauces must be given a quick wipe. The meal-dough clings in the crack.
âItâs a good match,â the orphan says.
We pat some more in, lick our fingers, smooth the edges, levelthe ridge. This day proceeds from good to best. My mother will be extraordinarily pleased.
The orphan says we should correct the ceiling, too.
She climbs up on the counter, stands with one shoe on each side of what is no longer a crack. She stretches her thin neck. âGo get some bleach. You have some on the spinning shelf thatâs on the dryer.â
She leaps down, runs off on a separate path. I return with bleach, she with a toilet brush and my fatherâs spare glasses. Both she hands to me. She takes the chemical. Under the kitchen sink my mother keeps a pair of rubber gloves. We each get one. She puts the stopper in the sink and pours the bleach inside, closing her eyes. I shield mine with the glasses while pushing off my shoes. She stays down while I go up. She dips, I scrub.
âA little more,â she says. âA little more.â Until a key turns in the door. Immediately I jump down to the floor and hide the brush. Exactly how the job was done shouldnât be what my mother sees first; I hang my gaze on the improvement weâve begun. Where the stain was there is still a stain, except not beet-red anymore. Itâs blue. The orphan dunks her gloved hand in the sink and pulls the stopper. Bleach gurgles away.
My mother is surprised. First thing she does