and in her footlocker: fifty pairs of lashes arranged according to size, fifty mascara wands, twenty mascara cakes, every shade of Revlon shadow ever made—iridescent and regular, matte and shiny—twenty Max Factor blush-ons . . . She'd spend hours with her makeup bags Scotch-taping little labels on everything, dusting and shining the bottles and compacts. Everything had to look perfect.
But she didn't care about anything below the neck.
She would never take a bath.
I would say, "Taxi. Take a bath." I'd run the water and she would go into the bathroom with her bag and stay in there for an hour. I'd yell, "Are you in the tub?" "Yes, I'm in the tub." Splash splash. But then I'd hear her tip-toeing around the bathroom and I'd peek through the keyhole and she'd be standing in front of the mirror, putting on more makeup over what was already caked on her face. She would never put water on her face—only those degreasers, those little tissue-thin papers you press on that remove the oils without ruining the makeup. She used those.
A few minutes later I'd peek through the keyhole again and she'd be recopying her address book—or somebody else's address book, it didn't matter—or else she'd be sitting with a yellow legal pad making the list of all the men she'd ever been to bed with, dividing them into three categories— "Slept," "Fucked," and "Cuddled." If she made a mistake on the last line and it looked messy, she'd tear it off and start all over. After an hour she'd come out of the bathroom and I'd say, gratuitously, "You didn't take a bath." "Yes. Yes I did."
I slept in the same bed with Taxi once. Someone was after her and she didn't want to sleep with him, so she crawled into bed in the next room with me. She fell asleep and I just couldn't stop looking at her, because I was so fascinated-but-horrified. Her hands kept crawling, they couldn't sleep, they couldn't stay still. She scratched herself constantly, digging her nails in and leaving marks. In three hours she woke up and said immediately that she hadn't been asleep.
Taxi drifted away from us after she started seeing a singer-musician who can only be described as The Definitive Pop Star—possibly of all time—who was then fast gaining recognition on both sides of the Atlantic as the thinking man's Elvis Presley. I missed having, her around, but I told myself that it was probably a good thing that he was taking care of her now, because maybe he know how to do it better than we had.
Taxi died a few years ago in Hawaii where an important industrialist had taken her for a "rest." I hadn't seen her for years.
3 Love (Senility)
B: Why didn't you show up last night? You've been in a funny mood lately.
A: It's just—I can't meet new people. I'm too tired.
B: Well, these were old people and you didn't show up. You shouldn't watch so much TV.
A: Oh I know.
B: Is that a female impersonator?
A: Of what?
A: The most exciting thing is not-doing-it. If you fall in love with someone and never do it, it's much more exciting.
Love affairs get too involved, and they're not really worth it. But if, for some reason, you feel that they are, you should put in exactly as much time and energy as the other person. In other words, "I'll pay you if you pay me."
People have so many problems with love, always looking for someone to be their Via Veneto, their souffl6 that can't
fall. There should be a course in the first grade on love. There
should be courses on beauty and love and sex. With love as the biggest course And they should show the kids, I always think, how to make love and tell and show them once and for all how nothing it is. But they won't do that, because love and sex are business.
But then I think, maybe it works out just as well that nobody takes you out of the dark about it, because if you really knew the whole story, you wouldn't have anything to think about or fantasize about for the rest of your life, and you might go crazy, having nothing to think
Emma Wildes writing as Annabel Wolfe