signature.
I phoned up.
âHi,â said a strong, hard voice. âThis is Babette. I am quite able to take your call at the moment if you will tell me, first, who you are so that I can decide if it will be worth my while. Please speak slowly after the tone. Oh, well, hello. I thought youâd ring. Iâll be right over.â
âBut youâreâ?â
âDead? No. Iâm living in Shepperton or Isleworth. Or somewhere. Itâs all one. I used to live somewhere near you, I think.â
âOh yes. I know. I know the house. Not far from the church.â
âYou didnât put that in your review.â
âWell, I tried to write about the book.â
âThatâs why I wrote to you. I want to give you a present. I shall come over and see you. And the old homestead.â
âI ... canât I come and fetch you? And drive you home again?â
âDrive me? No. Iâve got my bus pass. Iâm all of sixty now, you know, amazing as it may seem.â
âYes. Well. Butââ
âIâll be with you at twelve oâclock sharp.â
âYes. Of course. When?â
âToday,â she said.
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There she stood. My house has steep steps up to the front door and she stood below them on the gravel, bearing in her right hand a six-foot stave. I saw her begin to strike the ground with the butt of the stave, as if, at a given sign, it would pluck her up into the air and drop her on my doormat. I ran quickly down to her. She was a creature of tatters and wisps, in a long coat and none-too-clean balaclava helmet.
âLetâs go,â she cried and set off towards the gate, me trotting behind, wishing for a muffler in the cool spring air.
There is all about the divine south London suburb in which I live a network of little passages thought to have once been the tracks around the edges of fields. They run now between fine gardens of many mansions. They are three feet wide and their clapboard walls are six feet high, flimsy and sometimes almost swaying in the wind. One can slink secretly about the town along these old sheep-runs. They are called âThe Slips.â
Dark things occur there and at night many a soul has wished that she had kept to the high street. Many a slip.
Babette stopped dead in the middle of the first Slip and examined the rich graffiti on the wooden walls. âDo you remember that boy?â she said. âHe drew a crucifix here. He wrote beneath it âWhat a way to spend Easter.â Heâs a bishop now.â
âNo. I donât.â
âMy son could get rid of all these,â she said of the graffiti. (Son? Babette? A family life?) âHeâs a specialist with the airbrush, though of course he is retired now. Tell meâcan one still hearâ?â and she began to thump the stout oak on the tarmacadam among the condoms and the chickweed. âAh! There!â she said. âYou can still hear the little streams in the chalk that eventually reach the Thames.â
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We came out among affluent mansions and palm trees bought at Harrods. Then we plumbed into the next Slip. Then another. Then we burst out near the church and opposite stood the tall sentry box of a house that Iâd always heard had been Babetteâs.
âNo blue plaque,â she said and I was surprised to see eyes full of tears. I could have died for her.
âItâs too soon,â I told her. âYouâre too young. You have to have been dead fifty years before you get a blue plaque.â
She gave me a look through the slit in the balaclava. âWell, there it is,â she said. âPlace of my joys. He died, you know, my Romeo. He never left me. Two apartments under one roof. What is called a âsuccessful conversion.â Like St. Paul. We were the top one. Only the roof above us. We got in at the side. Through a side door. The ground floor with the columns and the fanlight and the bust