locked into slums, among iron and bells that harangue against the very essence of our beings, but is that enough for you? Oh, no. We must be murderers as well. Murderers of innocent children, children who share our very blood.â He shook his head once, and as the light shifted across it, his features seemed to change and the angles soften. He didnât look so cold anymore. He looked suddenly tragic, like the weeping angels under the trees of Hyde Park. âI can only hope justice will prevail in the end.â
Mr. Jelliby gave the faery politician what he hoped was a look of deep and heartfelt sympathy. The other gentlemen tutted and harrumphed. But then Lord Locktower stood up and stamped his foot.
âNow stop all this!â he cried, glaring at everyone at once. âWhining and sniveling, thatâs what this is. I, for one, shall have none of it.â The gentleman two chairs over tried to shush him. He only spoke louder. Other men broke in. Lord Locktower began to shout, his face flaring red. When Baron Somerville tried to pull him back into his seat, he brought up a glove and slapped him hard across the face.
The whole room seemed to draw in a breath. Then it exploded into pandemonium. Chairs were overturned, walking sticks were hurled to the floor, and everyone was on his feet, bellowing.
Mr. Jelliby made for the door. Barons and dukes were everywhere, jostling and elbowing, and someone was crying âDown with England!â at the top of his lungs. Mr. Jelliby was forced to turn aside, and when he did he caught sight of Mr. Lickerish again. The faery was standing in the midst of the commotion, a pale slip in the sea of red faces and flailing black hats. He was smiling.
CHAPTER III
Black Wings and Wind
B ARTHOLOMEW lay in the attic, curled up, still as stone. Daylight slipped away. The sun began to sink behind the looming bulk of New Bath, the light from the little round window stretched its fingers ever farther and ever redder across his face, and still he did not move.
A hard, cold fear had moved into his stomach, and he couldnât make it go.
He saw the lady in plum again, over and over in his mind, walking in the alley. Her hair was pulled away, the little face staring, dark and knotted, and the bramble-haired boy followed her in shadows shaped like wings. Jewels, and hats, and purple skirts. A blue hand grinding glass. Wet black eyes, and a smile under them, a horrid, horrid smile.
It was too much for him. Too much, too quickly, a rush of sound and fury, like time sped up. Bartholomew had seen thieves from that attic window, an automaton with no legs, a pale corpse or two, but this was worse. This was dangerous, and he had been seen. Why had the lady come? And why had she taken his friend away? Bartholomewâs head ached.
He stared at the floorboards so long he could make out every rift and wormhole. He knew it wasnât the magic that had shaken him. Magic was a part of life in Bath, always had been. Somewhere in London, important men had decided it would be best to try to hide it, to keep the factories heaving and the church bells clanging, but it hadnât done much good. Magic was still there. It was simply underneath, hidden in the secret pockets of the city. Bartholomew saw a twinkly-eyed gnome in Old Crow Alley now and again, dragging behind him a root in the shape of a child. Folk would open their windows to watch, and when someone dropped the gnome a penny or a bit of bread, he would make the root dance, and make it wheel around and sing. Once in a blue moon the oak on Scattercopper Lane was known to mumble prophecies. And it was common knowledge that the Buddelbinstersâ faery mother could call the mice out of the walls and make them stir her soups and twist the wool for her spinning wheel.
So a whirling pillar of darkness was not really dreadful to Bartholomew. What was dreadful was that it had happened here, in the muddy confines of his own small street, to