The Pearl
behind them others tried to look in, and one small boy crawled among legs to have a look. And those in front passed the word back to those behind—“Scorpion. The baby has been stung.”
    Juana stopped sucking the puncture for a moment. The little hole was slightly enlarged and its edges whitened from the sucking, but the red swelling extended farther around it in a hard lymphatic mound. And all of these people knew about the scorpion. An adult might be very ill from the sting, but a baby could easily die from the poison. First, they knew, would come swelling and fever and tightened throat, and then cramps in the stomach, and then Coyotito might die if enough of the poison had gone in. But the stinging pain of the bite was going away. Coyotito’s screams turned to moans.
    Kino had wondered often at the iron in his patient, fragile wife. She, who was obedient and respectful and cheerful and patient, she could arch her back in child pain with hardly a cry. She could stand fatigue and hunger almost better than Kino himself. In the canoe she was like a strong man. And now she did a most surprising thing.
    “The doctor,” she said. “Go to get the doctor.”
    The word was passed out among the neighbors where they stood close packed in the little yard behind the brush fence. And they repeated among themselves, “Juana wants the doctor.” A wonderful thing, a memorable thing, to want the doctor. To get him would be a remarkable thing. The doctor never came to the cluster of brush houses. Why should he, when he had more than he could do to take care of the rich people who lived in the stone and plaster houses of the town.
    “He would not come,” the people in the yard said.
    “He would not come,” the people in the door said, and the thought got into Kino.
    “The doctor would not come,” Kino said to Juana.
    She looked up at him, her eyes as cold as the eyes of a lioness. This was Juana’s first baby—this was nearly everything there was in Juana’s world. And Kino saw her determination and the music of the family sounded in his head with a steely tone.
    “Then we will go to him,” Juana said, and with one hand she arranged her dark blue shawl over her head and made of one end of it a sling to hold the moaning baby and made of the other end of it a shade over his eyes to protect him from the light. The people in the door pushed against those behind to let her through. Kino followed her. They went out of the gate to the rutted path and the neighbors followed them.
    The thing had become a neighborhood affair. They made a quick soft-footed procession into the center of the town, first Juana and Kino, and behind them Juan Tomás and Apolonia, her big stomach jiggling with the strenuous pace, then all the neighbors with the children trotting on the flanks. And the yellow sun threw their black shadows ahead of them so that they walked on their own shadows.
    They came to the place where the brush houses stopped and the city of stone and plaster began, the city of harsh outer walls and inner cool gardens where a little water played and the bougainvillaea crusted the walls with purple and brick-red and white. They heard from the secret gardens the singing of caged birds and heard the splash of cooling water on hot flagstones. The procession crossed the blinding plaza and passed in front of the church. It had grown now, and on the outskirts the hurrying newcomers

were being softly informed how the baby had been stung by a scorpion, how the father and mother were taking it to the doctor.
    And the newcomers, particularly the beggars from the front of the church who were great experts in financial analysis, looked quickly at Juana’s old blue skirt, saw the tears in her shawl, appraised the green ribbon on her braids, read the age of Kino’s blanket and the thousand washings of his clothes, and set them down as poverty people and went along to see what kind of drama might develop. The four beggars in front of the church knew
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