gold foil from a pot of cream, just ripped off the side of his head.
âYou said ,â he yelled, âyou said.â
His father dropped him. âDonât whimper,â he said in a bored voice, âitâs very unattractive.â He sat down at the piano and started playing the march again, but Patrick did not dance.
He ran from the room, through the hall, out of the kitchen, over the terrace, along the olive grove and into the pine wood. He found the thorn bush, ducked underneath it, and slid down a small slope into his most secret hiding place. Under a canopy of bushes, wedged up against a pine tree which was surrounded by thickets on every side, he sat down and tried to stop the sobs, like hiccups, that snarled his throat.
Nobody can find me here, he thought. He could not control the spasms that caught his breath as he tried to inhale. It was like being caught in sweaters, when he plunged his head in and couldnât find the neck of the sweater and he tried to get out through the arm and it all got twisted and he thought he would never get out and he couldnât breathe.
Why did his father do that? Nobody should do that to anybody else, he thought, nobody should do that to anybody else.
In winter when there was ice on the puddles, you could see the bubbles trapped underneath and the air couldnât breathe: it had been ducked by the ice and held under, and he hated that because it was so unfair and so he always smashed the ice to let the air go free.
Nobody can find me here, he thought. And then he thought, what if nobody can find me here?
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3
VICTOR WAS STILL ASLEEP in his room downstairs and Anne wanted him to stay asleep. After less than a year together they now slept in separate rooms because Victorâs snoring, and nothing else about him, kept her awake at night. She walked barefoot down the steep and narrow staircase running the tips of her fingers along the curve of the whitewashed walls. In the kitchen she removed the whistle from the spout of the chipped enamel kettle, and made coffee as silently as possible.
There was a tired ebullience about Victorâs kitchen, with its bright orange plates and watermelon slices grinning facetiously from the tea towels. It was a harbour of cheap gaiety built up by Victorâs ex-wife, Elaine, and Victor had been torn between protesting against her bad taste and the fear that it might be in bad taste to protest. After all, did one notice the kitchen things? Did they matter? Wasnât indifference more dignified? He had always admired David Melroseâs certainty that beyond good taste lay the confidence to make mistakes because they were oneâs own. It was at this point that Victor often wavered. Sometimes he opted for a few days, or a few minutes, of assertive impertinence, but he always returned to his careful impersonation of a gentleman; it was all very well to épater les bourgeois , but the excitement was double-edged if you were also one of them. Victor knew that he could never acquire David Melroseâs conviction that success was somehow vulgar. Though sometimes he was tempted to believe that Davidâs languor and contempt masked regret for his failed life, this simple idea dissolved in Davidâs overbearing presence.
What amazed Anne was that a man as clever as Victor could be caught with such small hooks. Pouring herself some coffee she felt a strange sympathy for Elaine. They had never met, but she had come to understand what had driven Victorâs wife to seek refuge in a full set of Snoopy mugs.
*Â Â Â *Â Â Â *
When Anne Moore had been sent by the London bureau of the New York Times to interview the eminent philosopher Sir Victor Eisen, he had seemed a little old-fashioned. He had just returned from lunch at the Athenaeum, and his felt hat, darkened by rain, lay on the hall table. He pulled his watch out of his waistcoat pocket with what struck Anne as an archaic gesture.
âAh,