theyâve been having money problems. And
this morning he had a dream where she . . . she was doing bad things.
To earn money. So he looked in her handbag and found lots of folded-up
ten-shilling notes. She says she doesnât know where they came from, and he
doesnât believe her. He doesnât know what to believe.â
âAll the fighting and the dreams. Itâs about money,
isnât it?â
âIâm not sure,â said Lettie, and she seemed so
grown-up then that I was almost scared of her.
âWhateverâs happening,â she said, eventually, âit
can all be sorted out.â She saw the expression on my face then, worried. Scared
even. And she said, âAfter pancakes.â
Lettie cooked us pancakes on a big metal griddle,
on the kitchen stove. They were paper-thin, and as each pancake was done Lettie
would squeeze lemon onto it, and plop a blob of plum jam into the center, and
roll it tightly, like a cigar. When there were enough we sat at the kitchen
table and wolfed them down.
There was a hearth in that kitchen, and there were
ashes still smoldering in the hearth, from the night before. That kitchen was a
friendly place, I thought.
I said to Lettie, âIâm scared.â
She smiled at me. âIâll make sure youâre safe. I
promise. Iâm not scared.â
I was still scared, but not as much. âItâs just
scary.â
âI said I promise,â said Lettie Hempstock. âI wonât
let you be hurt.â
âHurt?â said a high, cracked voice. âWhoâs hurt?
Whatâs been hurt? Why would anybody be hurt?â
It was Old Mrs. Hempstock, her apron held between
her hands, and in the hollow of the apron so many daffodils that the light
reflected up from them transformed her face to gold, and the kitchen seemed
bathed in yellow light.
Lettie said, âSomethingâs causing trouble. Itâs
giving people money. In their dreams and in real life.â She showed the old lady
my shilling. âMy friend found himself choking on this shilling when he woke up
this morning.â
Old Mrs. Hempstock put her apron on the kitchen
table, rapidly moved the daffodils off the cloth and onto the wood. Then she
took the shilling from Lettie. She squinted at it, sniffed it, rubbed at it,
listened to it (or put it to her ear, at any rate), then touched it with the tip
of her purple tongue.
âItâs new,â she said, at last. âIt says 1912 on it,
but it didnât exist yesterday.â
Lettie said, âI knew there was something funny
about it.â
I looked up at Old Mrs. Hempstock. âHow do you
know?â
âGood question, luvvie. Itâs electron decay,
mostly. You have to look at things closely to see the electrons. Theyâre the
little dinky ones that look like tiny smiles. The neutrons are the gray ones
that look like frowns. The electrons were all a bit too smiley for 1912, so then
I checked the sides of the letters and the old kingâs head, and everything was a
tad too crisp and sharp. Even where they were worn, it was as if theyâd been
made to be worn.â
âYou must have very good eyesight,â I told her. I
was impressed. She gave me back the coin.
âNot as good as it once was, but then, when you get
to be my age, your eyesight wonât be as sharp as it once was, neither.â And she
let out a guffaw as if she had said something very funny.
âHow old is that?â
Lettie looked at me, and I was worried that Iâd
said something rude. Sometimes adults didnât like to be asked their ages, and
sometimes they did. In my experience, old people did. They were proud of their
ages. Mrs. Wollery was seventy-seven, and Mr. Wollery was eighty-nine, and they
liked telling us how old they were.
Old Mrs. Hempstock went over to a cupboard, and
took out several colorful vases. âOld enough,â she said. âI remember when the
moon was
R. C. Farrington, Jason Farrington