She ran over to me angrily when she saw me. She said, âI hate
you. Iâm telling Mummy and Daddy when they come home.â
âWhat?â
âYou know,â she said. âI know it was you.â
âWhat was me?â
âThrowing coins at me. At all of us. From the
bushes. That was just nasty.â
âBut I didnât.â
âIt hurt.â
She went back to her friends, and they all glared
at me. My throat felt painful and ragged.
I walked down the drive. I donât know where I was
thinking of goingâI just didnât want to be there any longer.
Lettie Hempstock was standing at the bottom of the
drive, beneath the chestnut trees. She looked as if she had been waiting for a
hundred years and could wait for another hundred. She wore a white dress, but
the light coming through the chestnutâs young spring leaves stained it
green.
I said, âHello.â
She said, âYou were having bad dreams, werenât
you?â
I took the shilling out of my pocket and showed it
to her. âI was choking on it,â I told her. âWhen I woke up. But I donât know how
it got into my mouth. If someone had put it into my mouth, I would have woken
up. It was just in there, when I woke.â
âYes,â she said.
âMy sister says I threw coins at them from the
bushes, but I didnât.â
âNo,â she agreed. âYou didnât.â
I said, âLettie? Whatâs happening?â
âOh,â she said, as if it was obvious. âSomeoneâs
just trying to give people money, thatâs all. But itâs doing it very badly, and
itâs stirring things up around here that should be asleep. And thatâs not
good.â
âIs it something to do with the man who died?â
âSomething to do with him. Yes.â
âIs he doing this?â
She shook her head. Then she said, âHave you had
breakfast?â
I shook my head.
âWell then,â she said. âCome on.â
We walked down the lane together. There were a few
houses down the lane, here and there, back then, and she pointed to them as we
went past. âIn that house,â said Lettie Hempstock, âa man dreamed of being sold
and of being turned into money. Now heâs started seeing things in mirrors.â
âWhat kinds of things?â
âHimself. But with fingers poking out of his eye
sockets. And things coming out of his mouth. Like crab claws.â
I thought about people with crab legs coming out of
their mouths, in mirrors. âWhy did I find a shilling in my throat?â
âHe wanted people to have money.â
âThe opal miner? Who died in the car?â
âYes. Sort of. Not exactly. He started this all
off, like someone lighting a fuse on a firework. His death lit the touchpaper.
The thing thatâs exploding right now, that isnât him. Thatâs somebody else.
Something else.â
She rubbed her freckled nose with a grubby
hand.
âA ladyâs gone mad in that house,â she told me, and
it would not have occurred to me to doubt her. âShe has money in the mattress.
Now she wonât get out of bed, in case someone takes it from her.â
âHow do you know?â
She shrugged. âOnce youâve been around for a bit,
you get to know stuff.â
I kicked a stone. âBy âa bitâ do you mean âa really
long timeâ?â
She nodded.
âHow old are you, really?â I asked.
âEleven.â
I thought for a bit. Then I asked, âHow long have
you been eleven for?â
She smiled at me.
We walked past Caraway Farm. The farmers, whom one
day I would come to know as Callie Andersâs parents, were standing in their
farmyard, shouting at each other. They stopped when they saw us.
When we rounded a bend in the lane, and were out of
sight, Lettie said, âThose poor people.â
âWhy are they poor people?â
âBecause
R. C. Farrington, Jason Farrington