â the tallest building in London as recently as the sixties â and I love the eighty-seven-storey Shard. I love the twinkling windows of The Gherkin (though I hate that name).
I love the wind on my cheeks and the freedom of not being governed by timetables and specific routes â I can leave whenever I want and take any path, no matter how narrow. And I love the fact that for forty minutes I donât have to think about anything else. My mind is focused on the road ahead, and the traffic around me, and the judging of time and distance as I weave in and out of the gaps between cars, buses and pedestrians.
And most of all, if Iâm totally honest, I love that itâs not the Tube, because the temptation to punch slow walkers in the back of the head is just too overwhelming at 8 a.m.
As Iâm finding out today. I had to leave my bike at home because Iâm getting the train straight to Dadâs at lunchtime with Ben.
âGood morning!â A blonde girl I donât recognize greets me in a Scottish accent when I arrive at Goode Architecture Associates on a commuter-rage comedown. âIâm Jemma.â
Shit, I forgot the new receptionist has her induction day today. Not everyone was a fan of Mandy, our last one, but I liked her. She mightnât have been the happiest soul, or indeed the most welcoming by nature, but she was organized and efficient, and thatâs really all I wanted from her.
This girlâs round, pretty face is smiley and friendly. Double shit.
âMorning,â I reply, hoping she wonât take offence if I donât stop and chat.
At the top of the stairs I keep my head down, not slowing my pace or giving anyone the chance to engage me in conversation â I want to get my shit together before my meeting. But right before I sit down, the bossâs door swings open and I hear my name being called. I close my eyes and take a deep breath, trying to channel the me from yesterday. The me who hadnât done the maths yet. The me who was entirely focused on the job at hand, and not preoccupied with the realization that Ben and I might have accidentally made a tiny human.
âRebecca, perfect timing,â Jake is saying. âThis is Adam Larsson from Bensons. Youâll be working together on the cinema.â
Ah ha, the infamous Adam Larsson. Iâve never met him but Iâve heard Eddieâs tales of their debaucherous nights out, which inevitably end up with Adam going home with someone. Heâs fit, but if his smug smile is anything to go by, my gosh doesnât he know it.
âAnd this,â Jake tells Adam, a little proudly Iâm touched to note, âis Rebecca Giamboni, head architect on the project.â
âEr, hi,â says Adam, his smile faltering as his eyes flick from me to Jake. âI assumed Iâd be working with Eddie.â Then, remembering himself, he holds out his hand. âGood to meet you, Rebecca.â
âAnd you,â I say, gripping his hand firmly despite my risen heckles at his evident disappointment that Iâm infiltrating his boysâ club. And I always got the impression from Eddie that this guy was smooth.
âRebeccaâs one of our rising stars,â Jake adds.
âLooking forward to working with you,â Adam tells me with smirk.
âLikewise,â I lie, looking forward to wiping the smirk off his face.
Not by punching him or anything â by designing a really frickinâ impressive cinema.
I canât tell how on board Adam is with my initial ideas as he responds to everything I say in our meeting with a non-committal nod. So when itâs his turn to talk, I do the same, even though his ideas are pretty good. Jakeâs enthusiasm makes up for it, though, and by the time we draw the meeting to a close, Iâm feeling excited.
If Iâm pregnant it really is the worst timing in the history of procreation, I note as I finally sink into my chair