The Murder Book
he did show his stuff. In a manner of speaking. Telling Milo to check out former employees, ten to one that’s the way it would shake out. Dropping Milo off at the station and heading off for a doctor appointment, then calling in sick for the rest of the week. Milo did three days of legwork, assembled a list, zeroed in on a janitor who’d been fired from the jewelry store a month ago for suspected pilferage. Turned the guy up in an SRO hotel on Central, still rooming with the brother-in-law who’d been his partner in crime. Both bad guys were incarcerated and Pierce Schwinn showed up looking pink and healthy, and saying, “Yeah, there was no other possibility — did you finish the report?”
    That one stuck in Milo’s head for a while: Kyle Rodriguez’s beefy bronze corpse slumped over the jewelry case. The image kept him up for more than a few nights. Nothing philosophical or theological, just general edginess. He’d seen plenty of young, healthy guys die a lot more painfully than Kyle, had long ago given up on making sense out of things.
    He spent his insomnia driving around in the old Fiat. Up and down Sunset from Western to La Cienega, then back again. Finally veering south onto Santa Monica Boulevard.
    As if that hadn’t been his intention all along.
    Playing a game with himself, like a dieter circling a piece of cake.
    He’d never been much for willpower.
    For three consecutive nights, he cruised Boystown. Showered and shaved and cologned, wearing a clean white T-shirt and military-pressed jeans and white tennies. Wishing he was cuter and thinner, but figuring he wasn’t that bad if he squinted and kept his gut sucked in and kept his nerves under control by rubbing his face. The first night, a sheriff’s patrol car nosed into the traffic at Fairfax and stayed two car lengths behind his Fiat, setting off paranoia alarms. He obeyed all the traffic rules, drove back to his crappy little apartment on Alexandria, drank beer until he felt ready to burst, watched bad TV, and made do with imagination. The second night, no sheriffs, but he just lacked the energy to bond and ended up driving all the way to the beach and back, nearly falling asleep at the wheel.
    Night three, he found himself a stool in a bar near Larabee, sweating too damn much, knowing he was even tenser than he felt because his neck hurt like hell and his teeth throbbed like they were going to crumble. Finally, just before 4 A.M. , before sunlight would be cruel to his complexion, he picked up a guy, a young black guy, around his own age. Well-dressed, well-spoken, education grad student at UCLA. Just about the same place as Milo, sexual-honesty wise.
    The two of them were jumpy and awkward in the guy’s own crappy little grad student studio apartment on Selma south of Hollywood. The guy attending UCLA but living with junkies and hippies east of Vine because he couldn’t afford the Westside. Polite chitchat, then… it was over in seconds. Both of them knowing there would be no repeat performance. The guy telling Milo his name was Steve Jackson but when he went into the bathroom, Milo spotted a date book embossed WES, found an address sticker inside the front cover. Wesley E. Smith, the Selma address.
    Intimacy.
     
     
    A sad case, Kyle Rodriguez, but he got over it by the time Case Seven rolled around.
    A street slashing, good old Central Avenue, again. Knife fight, lots of blood all over the sidewalk, but only one db, a thirtyish Mexican guy in work clothes, with the homemade haircut and cheap shoes of a recently arrived illegal. Two dozen witnesses in a nearby
cantina
spoke no English and claimed blindness. This one wasn’t even detective work. Solved courtesy of the blues — patrol car spotted a lurching perp ten blocks away, bleeding profusely from his own wounds. The uniforms cuffed him as he howled in agony, sat him down on the curb, called Schwinn and Milo,
then
phoned for the ambulance that transported the wretch to the jail ward at
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