composed any more than, when we watch a horse running, we isolate the successive positions of its body as they appear upon a bioscope. But I had seen first one and then another of the rooms in which I had slept during my life, and in the end I would revisit them all in the long course of my waking dream: rooms in winter, where on going to bed I would at once bury my head in a nest woven out of the most diverse materials—the corner of my pillow, the top of my blankets, a piece of a shawl, the edge of my bed, and a copy of a children’s paper—which I had contrived to cement together, bird-fashion, by dint of continuous pressure; rooms where, in freezing weather, I would enjoy the satisfaction of being shut in from the outer world (like the sea-swallow which builds at the end of a dark tunnel and is kept warm by the surrounding earth), and where, the fire keeping in all night, I would sleep wrapped up, as it were, in a great cloak of snug and smoky air, shot with the glow of the logs intermittently breaking out again in flame, a sort of alcove without walls, a cave of warmth dug out of the heart of the room itself, a zone of heat whose boundaries were constantly shifting and altering in temperature as gusts of air traversed them to strike freshly upon my face, from the corners of the room or from parts near the window or far from the fireplace which had therefore remained cold;—or rooms in summer, where I would delight to feel myselfa part of the warm night, where the moonlight striking upon the half-opened shutters would throw down to the foot of my bed its enchanted ladder, where I would fall asleep, as it might be in the open air, like a titmouse which the breeze gently rocks at the tip of a sunbeam;—or sometimes the Louis XVI room, so cheerful that I never felt too miserable in it, even on my first night, and in which the slender columns that lightly supported its ceiling drew so gracefully apart to reveal and frame the site of the bed;—sometimes, again, the little room with the high ceiling, hollowed in the form of a pyramid out of two separate storeys, and partly walled with mahogany, in which from the first moment, mentally poisoned by the unfamiliar scent of vetiver, I was convinced of the hostility of the violet curtains and of the insolent indifference of a clock that chattered on at the top of its voice as though I were not there; in which a strange and pitiless rectangular cheval-glass, standing across one corner of the room, carved out for itself a site I had not looked to find tenanted in the soft plenitude of my normal field of vision; in which my mind, striving for hours on end to break away from its moorings, to stretch upwards so as to take on the exact shape of the room and to reach to the topmost height of its gigantic funnel, had endured many a painful night as I lay stretched out in bed, my eyes staring upwards, my ears straining, my nostrils flaring, my heart beating; until habit had changed the colour of the curtains, silenced the clock, brought an expression of pity to the cruel, slanting face of the glass, disguised or even completely dispelled the scent of vetiver, and appreciably reduced the apparent loftiness of the ceiling. Habit! that skilful but slow-moving arranger who begins by lettingour minds suffer for weeks on end in temporary quarters, but whom our minds are none the less only too happy to discover at last, for without it, reduced to their own devices, they would be powerless to make any room seem habitable.
Certainly I was now well awake; my body had veered round for the last time and the good angel of certainty had made all the surrounding objects stand still, had set me down under my bedclothes, in my bedroom, and had fixed, approximately in their right places in the uncertain light, my chest of drawers, my writing-table, my fireplace, the window overlooking the street, and both the doors. But for all that I now knew that I was not in any of the houses of which the ignorance