ancient Greek and Latin. Language was Dillen’s passion, and he had excelled at it, specializing in the early development of Greek. But through Jack he had come to have a vicarious second life, and he had revelled in his former student’s discoveries. He had yearned to join Jack in the field, and Jack had known exactly where and when, a project that would fuse their passions. To excavate at Troy . It had seemed a pipe dream, and then Dillen had made the extraordinary discovery in an ancient text that had brought them here. That night in Jack’s cabin they had been like two treasure-hunters together, copies of Homer’s Iliad opened out in front of them, poring over well-thumbed passages. For Jack, it was a fabulous treasure he believed had been lost at sea. For Dillen, it was another extraordinary artefact mentioned by Homer, something that had once existed in this huge mound of rubble and earth beneath him. Something that might still be here . That night he had felt as if they were a secret society of true believers, like Heinrich Schliemann and his closest supporters, fuelled by a belief that might now be given another dazzling burst of reality, as powerful as the one that Schliemann had released when he came here and first revealed the splendours of Troy to a stunned world.
Dillen looked at his watch. It was nearly three p.m., the official end of the digging day, when Hiebermeyer normally came round for his inspection. Hiebermeyer had been one of Dillen’s star students, a close friend of Jack’s, and seemed to take a certain pleasure in inspecting his old professor’s carefully laid-out tools and notebooks, scrutinizing them like a barracks-room sergeant. Dillen smiled to himself, remembering his first encounter with Hiebermeyer, a generously proportioned youth with sagging shorts, little round glasses, a tousle of unwashed red hair, and an unquenchable enthusiasm for all things Egyptian. Maurice had changed little in the years since, apart from losing his hair and acquiring a wife, the least likely event anyone could have imagined. Jack said that Aysha’s insistence that Maurice broaden his horizons was the only reason Hiebermeyer could be dragged away from his mummies and pyramids to work at Troy. But Dillen knew that Maurice secretly loved being back in the field with his friend Jack, and that his grumbles about shipwrecks and treasure-hunting were just part of their banter, something that had begun when they first met at boarding school in England and had mapped out their futures together.
Dillen lay down on his front again, propped up on his elbows, his face close to the ancient masonry. His trench had begun as something of a sideline, a room in an aristocratic house on top of the citadel that had escaped Schliemann’s great gouge through the site a hundred and thirty years before, and Hiebermeyer’s attention was focused on the extraordinary tunnel he had revealed just inside the south-west corner of the citadel. This morning Hiebermeyer had made some kind of breakthrough, and it would probably be a while before the inspection. Dillen decided to carry on for another half-hour. He stared at the exposed wall. It was separated by a narrow gap from the massive rampart of the late Bronze Age citadel, high up on the mound, some thirty metres above the surrounding plain. His excavation had revealed wall plaster and the remains of a painted fresco, an extremely rare find at Troy. He had finished brushing off the fresco that morning, and it was now shrouded by a plastic sheet.
All that remained to be dug out was a small area of impacted debris against the lower few centimetres of the wall. It had turned out to be an extraordinarily interesting deposit, and Dillen had devoted painstaking hours to it. He had just been photographing his prize finds: three bronze arrowheads, stuck into the ground, angled in the orientation of the arrows as they had come hurtling in from over the outer rampart wall. They were two