debate, Charles,â Wells felt compelled to say.
âYou mustnât apologize,â Charles admonished. âJust as I wouldnât if you had lost. We each believe the other is mistaken, but provided you think me brilliantly mistaken, I donât mind.â
Then Charles gave Jane the warmest welcome and excused his wife, Pleasance, who was busy giving a lecture. If her students didnât keep her too long, she might see them before they left.
âBut what have we here?â Charles exclaimed, addressing the dog, who instantly began wagging his tail.
Before Wells could explain that it was a constant reminder of his failure, Jane said: âHis name is Newton, and heâs been living with us for the last five months.â
Charles stooped to stroke the tuft of white hair between the dogâs eyes while uttering a few words to it, which only Newton appeared to understand. After this exchange of confidences, the professor, smoothing down his tousled hair, led his guests through a small garden to his chambers near the cathedral spire. In one of the larger rooms, where the wallpaper pattern was of sunflowers the size of plates, a domestic automaton was arranging a tea set on an exquisitely carved table, around which stood four Chippendale chairs. Hearing them come in, the automaton swung round, placed its metallic palms on the floor, and walked over to them on its hands before reverting to the normal hominid posture and greeting them with a theatrical bow, doffing an invisible hat.
âI see you still canât resist reprogramming your automatons, Charles,â Wells remarked.
âOh, Iâm just trying to give them a bit of personality. I canât abide those tedious factory settings.â The professor grinned, and then, addressing the automaton, he added: âThank you, Robert Louis. No one can balance the cups and saucers on the sugar bowl quite like you.â The automaton acknowledged the compliment and appeared to blush, doubtless the result of another of Charlesâs additions to its original programming. Wells shook his head in amusement while Robert Louis, knee joints creaking, went over to the door to await further orders. Wellsâs domestic automaton was also an RL6 Prometheus, but it would never have occurred to him to give it a name using those initials, much less open up its skull and rearrange its wiring to give it the soul of an acrobat. Charles, on the other hand, was unable to accept things as they came; he had to put his stamp on them, and that was precisely why Wells had learned to appreciate him more than his other professors.
While Charles and Jane finished laying the table, Wells took the opportunity to stroll around the room. Alongside some of the most technologically advanced appliances (Wells saw a food warmer, a writing glove, a heat transmitter, and even a dust-swallowing mouse stretched out on a pedestal table, its innards exposed, as though Charles were halfway through performing a dissection) was a different type of object that offered a glimpse into the professorâs more eccentric side, including some antique toys and a collection of music boxes. Wells walked over to where they were stacked on a shelf and stroked a couple of them the way he would a dozing cat, but he did not venture to open them, refusing to unleash their music and the minute ballerina that might lie squashed inside. At the back of the room a heavy curtain separated the formal part of the room from the terra incognita of the professorâs laboratory.
Then Wells studied the walls, adorned with several of Charlesâs own drawings, illustrations from his textbooks on mathematical logic for children. Notwithstanding the playful spirit in which they were written, the Church, accustomed to indulging Charlesâs foibles, had given his books its blessing, for they were thought to help children develop their intelligence from an early age. Even so, fearing his reputation as a