great black thing with glass windows and monster black wheels. The Montana winged horse was emblazoned in a green shield on its heavy doors. The rain continued to pour down. Paolo, who hated rain as much as the cats did, was glad the coach was real. The horses were not. They were four white cardboard cut-outs of horses, which were kept leaning against the wall of the coach-house. They were an economical idea of Old Niccolo’s father’s. As he said, real horses ate and needed exercise and took up space the family could live in. The coachman was another cardboard cut-out—for much the same reasons—but he was kept inside the coach.
The boys were longing to watch the cardboard figures being brought to life, but they were snatched indoors by their mother. Elizabeth’s hair was soaking from her shift on the bridge and she was yawning until her jaw creaked, but this did not prevent her doing a very thorough scrubbing, combing and dressing job on Paolo and Tonino. By the time they came down into the yard again, each with his hair scraped wet to his head and wearing uncomfortable broad white collars above their stiff Eton jackets, the spell was done. The spell-streamers had been carefully wound into the harness, and the coachman clothed in a paper coat covered with spells on the inside. Four glossy white horses were stamping as they were backed into their traces. The coachman was sitting on the box adjusting his leaf-green hat.
“Splendid!” said Old Niccolo, bustling out. He looked approvingly from the boys to the coach. “Get in, boys. Get in, Domenico. We have to pick up Umberto from the University.”
Tonino said good-bye to Benvenuto and climbed into the coach. It smelt of mold, in spite of the dusting. He was glad his grandfather was so cheerful. In fact everyone seemed to be. The family cheered as the coach rumbled to the gateway, and Old Niccolo smiled and waved back. Perhaps, Tonino thought, something good was going to come from this visit to the Duke, and no one would be so worried after this.
The journey in the coach was splendid. Tonino had never felt so grand before. The coach rumbled and swayed. The hooves of the horses clattered over the cobbles just as if they were real, and people hurried respectfully out of their way. The coachman was as good as spells could make him. Though puddles dimpled along every street, the coach was hardly splashed when they drew up at the University, with loud shouts of “Whoa there!”
Uncle Umberto climbed in, wearing his red and gold Master’s gown, as cheerful as Old Niccolo. “Morning, Tonino,” he said toPaolo. “How’s your cat? Morning,” he said to Domenico. “I hear the Petrocchis beat you up.” Domenico, who would have died sooner than insult even a Petrocchi, went redder than Uncle Umberto’s gown and swallowed noisily. But Uncle Umberto never could remember which younger Montana was which. He was too learned. He looked at Tonino as if he was wondering who he was, and turned to Old Niccolo. “The Petrocchis are sure to help,” he said. “I had word from Chrestomanci.”
“So did I,” said Old Niccolo, but he sounded dubious.
The coach rumbled down the rainswept Corso and turned out across the New Bridge, where it rumbled even more loudly. Paolo and Tonino stared out of the rainy windows, too excited to speak. Beyond the swollen river, they clopped uphill, where cypresses bent and lashed in front of rich villas, and then among blurred old walls. Finally they rumbled under a great archway and made a crisp turn around the gigantic forecourt of the Palace. In front of their own coach, another coach, looking like a toy under the huge marble front of the Palace, was just drawing up by the enormous marble porch. This carriage was black too, with crimson shields on its doors, in which ramped black leopards. They were too late to see the people getting out of it, but they gazed with irritated envy at the coach itself and the horses. The horses were black,