be pushed back, to be defeated, by her not knowing it.
Two girls on bicycles came wheeling around the corner. One was Bud’s sister Doris. At once these girls began to hoot and yell.
“Oh, look at the flowers,” they shouted. “Where’s the wedding? Look at the beautiful bridesmaids.”
Bud yelled back the worst thing he could think of.
“You got blood all over your arse.”
Of course she didn’t, but there had been an occasion when this had really been so—she had come home from school with blood on her skirt. Everybody had seen it, and it would never be forgotten.
He was sure she would tell on him at home, but she never did. Her shame about that other time was so great that she could not refer to it even to get him in trouble.
T HEY realized then that they had to dump the flowers at once, so they simply threw the branches under a parked car. They brushed a few stray petals off their clothes as they turned onto the square.
Saturdays were still important then; they brought the country people into town. Cars were already parked around the square and on the side streets. Big country boys and girls and smaller children from the town and the country were heading for the movie matinee.
It was necessary to pass Honeker’s in the first block. And there, in full view in one of the windows, Jimmy saw his mother. Back at work already, she was putting the hat straight on a female dummy, adjusting the veil, then fiddling with the shoulders of the dress. She was a short woman and she had to stand on tiptoe to do this properly. She had taken off her shoes to walk on the window carpet. You could see the rosy plump cushions of her heels through her stockings, and when she stretched you saw the back of her knee through the slit in her skirt. Above that was a wide but shapely behind and the line of her panties or girdle. Jimmy could hear in his mind the little grunts she would be making; also he could smell the stockings that she sometimes took off as soon as she got home, to save them from runs. Stockings and underwear, even clean female underwear, had a faint, private smell that was both appealing and disgusting.
He hoped two things. That the others hadn’t noticed her (theyhad, but the idea of a mother dressed up every day and out in the public world of town was so strange to them that they couldn’t comment, could only dismiss it) and that she would not, please not, turn around and spot him. She was capable, if she did that, of rapping on the glass and mouthing hello. At work she lost the hushed discretion, the studied gentleness, of home. Her obligingness turned from meek to pert. He used to be delighted by this other side of her, this friskiness, just as he was by Honeker’s, with its extensive counters of glass and varnished wood, its big mirrors at the top of the staircase, in which he could see himself climbing up to Ladies’ Wear, on the second floor.
“Here’s my young mischief,” his mother would say, and sometimes slip him a dime. He could never stay more than a minute; Mr. or Mrs. Honeker might be watching.
Young mischief.
Words that were once as pleasant to hear as the tinkle of dimes and nickels had now turned slyly shaming.
They were safely past.
In the next block they had to pass the Duke of Cumberland, but Cece had no worries. If his father had not come home at dinnertime, it meant he would be in there for hours yet. But the word “Cumberland” always fell across his mind heavily. From the days when he hadn’t even known what it meant, he got a sense of sorrowful plummeting. A weight hitting dark water, far down.
Between the Cumberland and the Town Hall was an unpaved alley, and at the back of the Town Hall was the Police Office. They turned into this alley and soon a lot of new noise reached them, opposing the street noise. It was not from the Cumberland—the noise in there was all muffled up, the beer parlor having only small, high windows like a public toilet. It was coming from the