hammering.
Iqbar took another step forward, belly bulging
37
beneath his djellaba. There was something menac-
ing about his rotten brown teeth and black
eye-patch. His voice, however, was kindly and the
girl showed no fear of him.
'Are you going home or not?'
The girl shook her head.
'In that case', he said, turning away and
shuffling towards the front of the shop, 'I'll have
to lock you in for the night. And of course it's at
night that the ghosts come out.'
He stopped at the door and removed a bunch of
keys from his pocket.
'Did I tell you about the ghosts? I'm sure I did.
All antique shops have them. For instance, in that
old lamp there' – he indicated a brass lamp sitting
on a shelf – 'lives a genie called al-Ghul. He's ten
thousand years old, and can turn himself into any
shape that he wants.'
The girl stared at the lamp, eyes wide.
'And you see that old wooden chest there, in the
corner, the one with the big lock and the iron bands
across it? Well, there's a crocodile in there, a big
green crocodile. By day he sleeps, but at night he
comes out to look for children. Why? So he can eat
them, of course. He grabs them in his mouth and
swallows them whole.'
The girl bit her lip, eyes darting between the
chest and the lamp.
'And that knife, up there on the wall, with the
curved blade. That used to belong to a king.
A very cruel man. Each night he comes back,
takes his knife and cuts the throats of anyone
he can lay his hands on. Oh yes, this shop is
full of ghosts. So if you want to stay here for
38
the night, my little friend, be my guest.'
Chuckling to himself he pulled open the door, a
set of brass bells jangling as he did so. The girl
came forward a few paces, thinking she was going
to be locked in. As soon as he heard her move,
Iqbar swung around and, raising his hands as
though they were claws, roared. The girl screamed
and laughed, scampering off into the shadows at
the back of the shop, where she crouched down
behind a pair of old wickerwork baskets.
'So she wants to play hide and seek, does she?'
growled the old man, limping after her, a smile on
his face. 'Well, she'll have a hard job hiding from
Iqbar. He might only have one eye left, but it's a
good eye. No-one can hide from old Iqbar.'
He could see her lurking behind the baskets,
peering out through' a gap between them. He
didn't want to spoil her fun too quickly and so
deliberately shuffled past her and instead opened
the doors of an old wooden cupboard.
'Is she in here, I wonder?'
He made a show of peering into the cupboard.
'No, not in the cupboard. She's cleverer than I
thought.'
He closed the cupboard and passed into a room
at the back of the shop, where he made as much
noise as he could opening drawers and banging on
filing cabinets.
'Are you in here, little monster?' he cried, enjoy-
ing himself. 'Hiding in my secret office? Oh she's a
clever one, she is!'
He clattered around for a while longer and then
hobbled out again, stopping directly in front of the
baskets. He could hear the girl's muffled giggles.
39
'Now, let me think. She wasn't in the cupboard,
and she wasn't in the office, and I'm sure she
wouldn't be silly enough to hide in the wooden
chest with the crocodile. Which, if I'm right, only
leaves one place for her to be. And that's right
here, behind these baskets. Let's see if old Iqbar's
right.'
He bent down. As he did so the bells on the
door jangled and someone entered the shop. He
straightened and turned. The girl remained where
she was, hidden.
'We were just closing,' said Iqbar, shuffling
forward towards the two men who were standing
in the doorway. 'But if you want a look around,
please take your time.'
The men ignored him. They were young, in their
early twenties, bearded; each was dressed in a
grubby black robe with a black 'imma wound low
around his forehead. They gazed around the shop
for a moment, sizing it up, and then one of them
stepped