The Likeness: A Novel
doorway, not very artistically, but the house was too inconvenient for a regular hangout: even prowling teenagers had mostly left it alone, to collapse on itself in its own slow time.
“Detective Cassie Maddox,” Frank said, “Sergeant Noel Byrne and Garda Joe Doherty, Rathowen station. Glenskehy’s on their patch.”
“For our sins,” said Byrne. He sounded like he meant it. He was somewhere in his fifties, with a slumped back and watery blue eyes, and he smelled of wet uniform and loser.
Doherty was a gangly kid with unfortunate ears, and when I held out my hand to him he did a double take straight out of a cartoon; I could practically hear the boing of his eyeballs snapping back into place. God only knew what he’d heard about me—cops have a better rumor mill than any bingo club—but I didn’t have time to worry about it right then. I gave him the smile-and-stare number, and he mumbled something and dropped my hand as if it had scorched him.
“We’d like Detective Maddox to take a look at our body,” Frank said.
“I’d say you would, all right,” said Byrne, eyeing me. I wasn’t sure he meant it the way it sounded; he didn’t look like he had the energy. Doherty snickered nervously.
“Ready?” Sam asked me quietly.
“The suspense is killing me,” I said. It came out a little snottier than I intended. Frank was already ducking into the cottage and pulling aside the long sprays of trailing bramble that curtained the doorway to the inner room.
“Ladies first,” he said, with a flourish. I hung the stud-muffin glasses off the front of my shirt by one earpiece, took a breath and went in.
It should have been a peaceful, sad little room. Long bands of sun slanting through holes in the roof and filtering past the net of branches over the windows, shivering like light on water; some family’s hearth, cold a hundred years, with piles of bird’s-nest fallen down the chimney and the rusty iron hook for the cooking pot still hanging ready. A wood dove murmuring contentedly, somewhere nearby.
But if you’ve seen a dead body, you know how they change the air: that huge silence, the absence strong as a black hole, time stopped and molecules frozen around the still thing that’s learned the final secret, the one he can never tell. Most dead people are the only thing in the room. Murder victims are different; they don’t come alone. The silence rises up to a deafening shout and the air is streaked and hand-printed, the body smokes with the brand of that other person grabbing you just as hard: the killer.
The first thing that hit me about this scene, though, was how slight a mark the killer had left. I had been bracing myself against things I didn’t want to imagine—naked and spread-eagled, vicious dark wounds too thick to count, body parts scattered in corners—but this girl looked as if she had arranged herself carefully on the floor and let out her last breath in a long even sigh, chosen her own time and place with no need for anyone’s help along the way. She was lying on her back among the shadows in front of the fireplace, neatly, with her feet together and her arms at her sides. She was wearing a navy peacoat, falling open; under it were indigo jeans—pulled up and zipped—runners and a blue top with a dark star tie-dyed across the front. The only thing out of the ordinary was her hands, clenched into tight fists. Frank and Sam had moved in beside me, and I shot Frank a puzzled look— And the big deal is? —but he just watched me, his face giving away nothing.
She was medium height, built like me, compact and boyish. Her head was turned away from us, towards the far wall, and all I could see in the dim light was short black curls and a slice of white: high round curve of a cheekbone, the point of a small chin. “Here,” Frank said. He flicked on a tiny, powerful torch and caught her face in a sharp little halo.
For a second I was confused— Sam lied? —because I knew her from somewhere, I’d
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