cascades of notes up and down the keyboard, swaying to the music. He couldnât play the piano. But he could take lessons. That sounded a worthwhile project. How long would it take to learn? It would be worth it to drown out Agatha. He left the room and walked back downstairs and into the living room, the first room Esther Laburnum had shown him. Passing the portrait of the old man, he wondered if he was the patriarch of this family but couldnât quite match him up with them. The others were so smilingly beautiful. He picked up the silver-framed photograph, saddened again by the terrible fate of the children.
The double door opened suddenly. He reeled.
The Uninvited!
No, merely his cabby, saying, âIâm really sorry to interrupt you. Itâs just that Shirleyâsheâs the dispatcherâis on about needing the cab to go to Mousehole.â Apologetically, he held out his arms and shrugged.
âOh, quite all right. Iâm finished. Letâs go.â
Â
As they drove away, Melrose turned for one last glimpse of the house. âItâs quite a place. Iâm thinking of renting it. Tell me, whoâs the old man in the portrait? He doesnât seem to go with the rest of it.â
âThatâs Morris Bletchley.â
Melrose was surprised. âBletchley? His family is related to the village somehow?â
âI guess there have been Bletchleys here forever. Funny, as heâs American himself. Heâs the chicken king.â
âThe what?â
âHavenât you ever eaten in ChickânKing? Theyâre all over. Itâs a chain.â
Melrose thought for a moment. âI guess Iâve seen them along some of the A-roads. You mean, Seabourne belongs to him? Mr. ChickânKing himself?â Melrose was a trifle disappointed. Chickens. How unromantic. âNow I see the reason for that chicken painting.â
âNever saw that, but it sounds about right.â Johnny negotiated a blind turn on the hedge-enclosed and narrow road.
Melrose sighed. âWell, I suppose itâll keep me from getting soppy. Chickens. Good lord!â
âYou donât strike me as the soppy type at all.â
Melrose felt obscurely flattered. He started to take out his cigarette case, but stopped. âMind if I smoke?â
âNot me. Long as you give me one. I know itâs hell for my lungs, but . . .â
Melrose passed the case and Johnny took one, still with his eyes on the road. Melrose lit both cigarettes and sat back, comfortably watching the dense woods pass by. âTell me, how many jobs do you have?â
âOh, three, I guess. Four, if you count the magic.â Puzzled, Melrose said, âIâd be glad to count it. What do you mean?â
âIâm an amateur magician, thatâs all. I really love it. My Uncle Charlie used to be a professional. Now he has a magic shop in Penzance. Every once in a while I do an act up at the Hall. Thatâs a kind of hospice-nursing-home place. Iâm not bad.â
âI believe it.â
âThe other jobs, theyâre only part-time. Weâre winding down now from the tourist season.â
âWell, how else could you handle them except part-time? And what do you do in the jobless off-season months? Tutor at Oxford?â
Johnny laughed. âNot likely. Next term Iâm hoping for a grant. Scholarship. Itâs why I work so much. To pay for whatever the scholarship doesnât cover.â
âWhat about your family?â
âThereâs only my Aunt Chris. Chris Wells. She owns that tearoom, you know, the Woodbine. Oh, and thereâs Charlie, my uncle, but I donât see him much. Chris is partners with Brenda.â
âBrenda?â
âBrenda Friel. Sheâs tops. Her daughter used to baby-sit me.â
âBaby-sit you ? You sure it wasnât the other way round?â
Johnny laughed, then said more soberly, âIt was years ago.