the station, because once she’d seen Malik in the street outside she could never risk going in there again. She feels tears prick the back of her eyes. Someone will come along, eventually, when the rent runs out, and throw it all away. No one will wonder where she’s gone, why she left in such careless haste. She feels a certain fellow feeling with the vanished tenant. She’s part of the easy-come, easy-go world now and only Tony Stott wants to know where she is.
Collette goes over to the bed and pulls back the bedclothes. They smell of someone else. She saw a big Asda nearby from the window of the train. She’ll head there and buy a couple of sets when she’s had a rest; maybe even treat herself to a new duvet and pillows, too.
You mustn’t spend it all, she thinks, automatically, the way she has each time she’s started again. Don’t go blowing it. It’s all you have, Collette.
She fetches the bag from under the chair. Sits on the bed and checks, as she’s checked every hour since she fled for the station, that the contents are still there, pulls out the small stash of emergency belongings she stored in there and lays them out to mark her territory. A couple of summer dresses, a cardigan, flip-flops, a couple of pairs of knickers, a sponge bag with a toothbrush, a tube of face cream and a small collection of eyeliners from her handbag. All she’s salvaged, this time. Not much to show for nearly forty years, but it’s better than no life at all.
She sits, then lies, on this stranger’s bottom sheet. It’s mercifully free of stains, at least. She can’t face the thin, sad-looking pillows, though. Uses the bag and what remains inside as a rest for her head instead. It’s firm, unyielding. Who’d’ve thought? she wonders, that you could be this uncomfortable lying on a hundred thousand pounds?
Chapter Four
The signs are everywhere that Northbourne is coming up in the world, though it still has a way to go. There are new businesses springing up: a deli that sells sun-dried tomatoes and the sort of cheese that smells of armpit, an estate agent with a one-syllable name that hands out free cappuccino if you look smart and old enough, a dedicated greengrocer and a café with pavement tables and extra-wide aisles to accommodate the buggies. But most of all, Cher has noticed that there are new signs. One has appeared on the lamp-post on the corner of Station Road and the High Street since she passed by this morning. She stops to read her way slowly through it, her lips moving as she does so.
THIEVES OPERATE IN THIS AREA .
TAKE CARE OF YOUR BELONGINGS .
She raises her eyebrows. A sure sign, if ever there was one, that there are people living here now who have something worth stealing. Cher instinctively checks the breast pocket of her denim jacket, where her money is stored. Feels the slight bulge and smiles. It’s been a good week. She’s got the rent, and cash left over, and three days until it’s due. She might even take a couple of days off, do her roots, give herself a manicure. There’s a new range of glitter varnishes in the chemist on the High Street. She might pop in, buy some emery boards and treat herself to one of those while she’s there.
She hoists her floral backpack to her shoulder and turns on to the High Street. It’s the tail end of lunchtime, and the street is relatively busy, filled with savoury scents from the food outlets scattered among the charity shops: curry, fried chicken, Greggs’ sausage rolls, the smell of chips from the greasy spoon.
Cher dawdles along the pavement: no rush to be anywhere; no rush, ever. But her eyes, behind her Primark sunglasses, are watchful, take in everything around her in the search for opportunities. Life can’t be just about making the rent. There needs to be more. It’s hard to remember on a day like today, but winter will be coming – the long dark nights, the days spent mostly sleeping because it’s too cold to get out of bed. She