round your hips, as far as I can see.â
âWhy?â
âFun, I suppose.â She turned towards me. âAre you alright?â Nothing happen at home, did it?â
âNo.â
âSomethingâs on your mind though.â
âI saw this photograph, today.â
âWhat photograph?â
âOf a garden.â
âWhat sort of garden?â
âOne of those big rich ones. Itâs quite near here, just beyond Stony Ridge.â
âAnd?â
I sat on the bed. âHave you ever seen something and for some reason been unable to stop thinking about it?â
âMr. MacKenzie comes to mind, I used to live for English class. Where did you see this picture?â
âIn a magazine; it came in the post. I canât explain it very well, but there were these beautiful flowers there, but it wasnât just that.â
She sat up. âWhat was it?â
âI donât know.â
âWas it something about the place?â
I thought. âI really donât know.â
â You could plant some flowers, couldnât you? Your gardenâs big enough. Archieâd give you some seeds, heâd love it.â
âMy father would never let me.â
âNo.â She looked down at the magazine. âWhat about a hula-hoop, would he allow that?â She smiled.
For some reason it was Vivianâs hips that came into my head, swaying round and round, rubbing red onto the inside of the hoop. âNo, of course not, no.â
Una leaned against me. âEdith, you know Iâm leaving next week.â
âI know. Tuesday at ten oâclock.â
âLondonâs not so far, you know and Iâll be in student digs. You could come and visit me. Youâd have to sleep on the floor of course.â
âI probably wouldnât get to sleep if it was just the floor.â I laughed.
âNo, you probably wouldnât.â
âWhat are going to do now schoolâs over, Edith? Have you thought any more about it?â
âOh, you know, thereâs so much to do in the house ââ
âEdie,â she squeezed my arm, âthere really isnât.â
âBut my father, he canât cope on his own. You understand.â
âOf course I understand, but one day youâre going to have to leave him.â
âI know. Iâm just not ready, I. . .â
âWhen will you be ready?â
âOh, Una, donât make it so hard.â
She put an arm round my shoulder. âEdie, you can do it you know, everyone leaves home sooner or later, you just have to look towards the horizon rather than at whatâs behind you all the time.â
âI know that. Please donât talk about it. I will move out â when Iâm ready.â
Dusk had settled grey onto the street when I set off for home, yet Unaâs house looked welcoming when I turned to look back. She was starting a new life in another town. Sheâd be living in a place Iâd never seen.
I used to think about leaving home when I was a child. A bag stuffed with clothes was a regular part of my more adventurous dreams and Iâd even brought home a train timetable from the station once but when Iâd rummaged at the back of my fatherâs wardrobe then slithered beneath his bed looking for a suitcase, I couldnât to find one. Itâs still there, that timetable, lying at the bottom of my drawer, all departure times long past.
The horizon looked limp when I looked up the hill beyond my house, sagging at the edges where the trees met the sky. And there it stood, the stranger in the wood, its branches sticking out in every direction, uncomfortable with itself.
Blackbirds were warming up their throats when I looked out of my bedroom window later that evening. The brick extension built onto the rear of my house forced my gaze towards the back fence beyond which it settled on a vanishing point deep in the woods.
The