authority ⦠or much in the way of confidence, for that matter.â
âThatâs why itâs called acting,â Millicent prompted, moving to make way for Madame Sandrine as the tiny, dark-haired Frenchwoman bustled in with a basketful of frippery. Setting it down, the seamstress bent to check the hem of the final dress to be added to Menaâs new trousseau. âAnd Iâve found that, frequently, whatever you convey you can trick yourself into believing.â
âMillieâs right, dear.â Farah abandoned her tea to a side table and stood to join her friend. âOften we must seem to have confidence, and in doing so it tends to appear.â Her clear gray eyes inspected Menaâs face with just the right mix of sympathy and encouragement.
âYour wounds will heal,â Millie reassured her. âThey already look much better. I think weâve concocted a brilliant story with which to explain them.â
âA brilliant story all around, Iâd wager,â Farah agreed. âAnd this position is not forever. Dorian has already started on your emancipation from the insanity verdict, though the process is infuriatingly slow.â
âLetâs go over the lines again.â Though she had the demeanor of a seductress, Millicent LeCour possessed the single-minded work ethic of an officer drilling a regiment. âWhat is your new name?â
Mena took a deep breath, trying to be certain everything was stored correctly in her memory to match the entirely new persona Dorian Blackwell had created for her. âMy name is Miss Philomena Lockhart.â
âAnd where are you from?â
âFrom Bournemouth in Dorset originally, but these past four years from London, where I was employed as a governess.â
âI still think we should change her name entirely,â Farah suggested. âWhat about something rather common like Jane, Ann, or Mary?â
Millicent shook her head emphatically. âShe doesnât look like any of those women, and I know that itâs easier to keep track of a lie if there is a shred of truth to it. Sheâll answer to the name Philomena because it is her own. And itâs common enough. We selected Bournemouth because itâs near Hampshire, where she was raised, and sheâs familiar with the town and can call it to memory if need be.â
Farah considered this, tapping a finger to the divot in her chin before declaring, âYouâre right, of course.â
Miss LeCourâs ringlets bounced around her startlingly lovely face when her notice snapped back to Mena. âWhom did you work for in London?â
âT-the Whitehalls, a shipping magnate and his wife.â
âTheir names?â
âGeorge and Francesca.â
âWho were their children?â
âSebastian, who is off to Eton, and Clara, who is now engaged.â
âEngaged to whom?â
Mena stalled, her eyes widening, then she winced as the bruise around her eye twinged with the movement. âIâI donât remember going over that.â
âThatâs because we didnât.â The actress selected another truffle with the patient consideration of a chess master. âI was demonstrating that youâre sometimes going to have to improvise. Just say the first plausible thing that happens to appear in your head.â
âMy head seems to be frighteningly empty of late.â Mena sighed.
Farah made a sympathetic noise. âYouâve been under a lot of strain. Millie, perhaps she needs a break.â
âNo.â Mena shook her head, receiving a sharp look from Madame Sandrine. Remembering herself, she stood as still as could be. âNo, Iâll try harder.â
âWhat is Claraâs fiancéâs name?â Millie pressed.
âUmâGeorge?â She plucked the first name that arrived in her head.
âThatâs her papaâs name,â Madame Sandrine corrected
Slavoj Žižek, Audun Mortensen