gratitude as she looked at the two women occupying their own chaise longues, enjoying their second day of watching Madame Sandrine and her efficient minions fit Mena with a new wardrobe. If she were to paint them as they were now, sheâd name the work Seraphim and Seductress.
Farah Leigh Blackwell, Countess Northwalk, perched on Menaâs right, a study of feminine, angelic English gentility. Her ivory muslin and lace gown played with the few gold strands in her white-blond coiffure as she sipped tea from a delicate cup. One would never at all suppose that she was the wife of the most notorious Blackheart of Ben More, king of the London Underworld.
On Menaâs left, Millicent LeCour draped her scarlet-clad body across her chaise like a luscious libertine, twirling an ebony ringlet about her finger. She narrowed catlike midnight eyes in assessment and bit through a soft truffle, rolling it in her mouth with sensual enjoyment.
âI know youâre self-conscious about the breadth of your shoulders, dear, but if you roll them forward like youâre doing now, you convey submission and doubt. Youâve a lovely, statuesque figure and must use it to your advantage. Throw your shoulders back and roll them down from your neck, like you have angel wings you need to stow.â Unfolding her legs, Millie stood to demonstrate her instruction, her posture the very image of confidence and authority. âAnd another thing, keep your chin parallel to the floor. Look anywhere you must if you canât meet someoneâs eye, but whatever you do, donât drop your chin.â
Lessons in comportment from the most famous actress on the London stage; Mena could scarce believe it. She did her best to imitate Millieâs posture of regal grace and checked her progress in the mirrors surrounding the dais upon which she stood.
Her shoulders were the solid picture of dignity, wide and imposing. Her bosom thrust proudly aloft, although it was crushed into her new corset to make it appear smaller, pressed against the plain, elegant black buttons of her green and gold plaid day dress, the perfect uniform for her new position as governess.
It was her features that killed the effect.
Menaâs tongue touched the healing split in her lip and she realized the swelling had gone down dramatically in the three days since sheâd been rescued from Belle Glen. Her eye had blackened and swelled until she couldnât see from it. But sheâd applied cold compresses provided by Lady Northwalk, and finally her features were beginning to look like her own again. Though the color from both bruises remained angry.
Much like the man whoâd put them there.
Millicent LeCourâs fiancé, Christopher Argent, had snapped Mr. Burnâs neck easy-as-you-please. Mena wondered if the actress knew what her intended was capable of. She must, for one only had to gaze upon Argent to ascertain that he was a lethal man. The arctic chill in his ice-blue eyes only melted for the actress and her cherubic son, Jakub. Mena would be ever grateful to the man, as heâd pulled Mr. Burns off her unconscious body, saving her from the indignities the monster had intended to inflict.
Mena felt as though she should be horrified at having witnessed the ending of a life. But she was glad, grateful even, that Burns was no longer able to torment the helpless. And more thankful, still, that these two women had taken her under their respective wings, going so far as to pay for a new trousseau made by the most sought-after seamstress in all of London, as well as a bevy of undergarments, shoes, and haberdashery.
She suspected that Madame Sandrine was in the employ, as well as a tenant, of Dorian Blackwell, and thereby likely used to keeping secrets.
âThere you have it,â Millie encouraged. âI think that captures the effect precisely. No one would dare to doubt your confidence and authority.â
âIâve never had any
Slavoj Žižek, Audun Mortensen