âI didnât like it, not knowing how things turned out.â
âWhat do you mean?â
âYou get to the end of a story, itâs over, and the characters just keep on living and you donât know how things are going to turn out for them. Leave you hanging. I didnât like that.â
âEverything turns out the same way,â he said. âThatâs stupid, Javi. End of the story, everybody dies. Isnât but one outcome and thatâs it.â
âI know that. But people in books theyâre not the same as real people.â
âYou donât like living with uncertainty. That what youâre saying?â
âYeah, thatâs what Iâm saying. I like things to be reliable. But books, the ones they made me read in school, nobody could say for sure what any of it added up to. It was on a test, I usually failed cause whatever I thought, it turned out it wasnât the right thing. So I quit reading.â
âGrapefruit is what I have for breakfast. Pre-sliced.â
Javi left.
He got back to his book. A gangster came into the library one day, real tough guy, smelled like aftershave and gunpowder, walked right over to the librarian and said, âYou know how to handle a gun?â
âSure I do. I been shooting since I was knee high to a caterpillar.â
âIâm looking for somebody to do a job for me. It pays five grand.â
The librarian came out from behind his desk.
âWhy me?â
âCops take one look at you, little runty geriatric, they keep on walking. Youâre perfect. Itâs like a disguise, the old guy look. You look confused, your eyes are hazy.â
Later Little Mo met the gangster at his cheap motel on the edge of town. Tiny cabins with a gravel lot out front. The Davy Crockett Inn. A hot sheets joint in Raybun, West Virginia. Little Mo had lost his virginity in the same cabin where he met with the gangster. Jilly Johnson, a little girl, Mo took her to the mountaintop, showed her the sights, a first class orgasm, and she cried afterwards, couldnât stop crying. From the beauty of it, or the sadness, he was never sure.
âI could use the five Gâs.â
âYeah? Glad to hear it. How you feel about shooting a girl? You sexist or anything?â
âFor five thousand I can get over it.â
âShe works in a store downtown, little shop sells books. The girl knows too much. Sheâs going to testify, send me to jail. Iâd do the job myself but theyâd see me coming. You, hell no, you could just walk up to her put three in her head, one in her heart. That could be your calling card. Start a new career.â
He didnât sleep good that night, worrying about his daughter, what was about to happen to her. She was the target. Working in that store, no protection. He turned and he tossed and in the morning he didnât have any appetite for his sunnysides and grapefruit.
âYou keep leaving your food, Mr. Connors, we gonna stop feeding you.â
âI need a ride downtown to my daughterâs place of business. Sheâs in danger. I need to warn her.â
âYour daughterâs outside in the lobby talking to the super, you can warn her in a minute.â
His daughter came.
âDad, Javier said you wanted to talk to me. Youâre very agitated.â
Little Mo didnât say anything. He was trying to blink away the haze, get a good look at this girl, see if she seemed familiar.
âDad, I think youâre getting worse. The doctor and I think we should move you upstairs where they can give you better care.â
âUpstairs?â
âThey have more staff up there. They have pretty views, long distance. You can see across the river all the way to the Empire State Building when the skyâs clear.â
âUpstairs is where they send the troublemakers.â
âItâs just that youâve been agitated lately, Dad. Throwing things, saying
Barbara Boswell, Lisa Jackson, Linda Turner