the community, a man as well known and reliable as the town-hall clock. He wanted to tap the barometer as he left home in the morning and know the chances of rain that day; he wanted to buy a paper on a Monday and read about the town gala, or some minor local sporting victory. Not this. Not some child, hung out on a tree like a sacred offering.
It was this chain of thought, this sense he had of something collapsing in his mind, that wrong-footed him. It came as a shock, afterward, that he could have done such a thing, but it only shocked him later, when he had become capable of feeling anything more than he had at the scene. At that moment, in his confusion and terror and the horrible emptiness of it all, what he had done seemed not so much the best as the only thing to do, his one possible escape. He had just realized that he was too tender a soul, too soft a man to see through the work he had chosen. He had just seen himself as wholly lacking in all the virtues he had thought would come with time and experience, but which, he now knew, were intrinsic, at least in some basic form. A man either has courage, good sense, and a certain impenetrability of spirit, or he does not. Morrison did not. He was weak, lacking, frightened. Because he could not do the one thing he most wanted to do— because he could not reach out and bring this boy back to life—he wanted to close his eyes and run away to some safe place where nobody would ever call on him to do anything again. When he thought about it later, he would see that he knew he was making a terrible mistake even as he made it, and he also saw that he had been guilty of nothing more than a moment's fear, a mere hesitation. He hadn't known what to do: it was that straightforward. He wasn't a real policeman, he'd been pushed into the job when Constable Fox had died suddenly, after a fall from his bicycle. It was his employer, Brian Smith, who'd suggested he take the job if it was offered and he'd leapt at the unexpected opportunity, but he'd never been confident of his abilities as a policeman and now, facing his first real test, he was paralyzed with the fear of making some unforgivable error. Of course, he told himself that he was only looking for advice. He told himself that what he was doing was simply a courtesy, a show of respect to the man who had made him a policeman in the first place. He wanted to send out a warning, in case this tragic event had repercussions that had to be dealt with. This was what he told himself; yet he knew in his heart that he was lying. The truth was, he wasn't big enough to deal with a murdered child and he was afraid of what would happen if he called this in all by himself—and so it was that, in his terror of making a mistake, he walked up to the old red telephone box on the outer road and made the worst mistake he could have made. He called Brian Smith.
CONNECTIONS
A FEW DAYS BEFORE HIS ELEVENTH BIRTHDAY, BRIAN SMITH DEVELOPED a passion for puzzles of every kind, and jigsaw puzzles in particular. He liked the way they made connections, how a great pile of a thousand or more random pieces could be transformed, simply by matching shapes and colors, into a perfect likeness of the Venetian canal scene or the lush tropical garden depicted on the box. His parents, who didn't think of him as particularly intelligent—or indeed, as especially interesting or likable—soon took to buying him all the puzzles they could find, delighted to provide a distraction that would occupy their charmless and more or less superfluous only child for hours at a time, allowing them to get on with the more pleasant aspects of adult life, like drinking, or playing bridge with the Johnstons—a childless, and so wildly fortunate, couple who lived two doors along the street, in one of the quieter districts of the Innertown. It didn't concern them that, on the surface at least, their sturdy, unsmiling son had nothing at all in common with those bright, bookish children