down at the world from near three meters height, beard and hair blending into one leonine mane as bright as beaten gold, strength written large in every bone and sinew, the broad flat chest with its useless red nipples, the strangeness of the long, soft penis between my legs. Too much strangeness for me; the penis stayed soft all the months I wore that body, and that year my mirrored room was opened twice.
A face very like the one that I remember. But how well do I remember? A century was gone to dust, and I kept no likenesses of the faces I had worn. From my first youth long ago, only the glass flower remained. But she had short brown hair, a smile, grey-green eyes. Her neck was too long, her breasts too small, perhaps. But she was close, close, until she grew old, and the day came when I glimpsed another stranger walking beside me inside the castle walls.
And now the haunted child. In the mirrors she looks like a daughter of dreams, the daughter I might have birthed had I been far lovelier than I ever was. Khar brought her to me, a gift he said, a most beautiful gift, to repay me in kind after I had found him grey and impotent, hoarse of voice and scarred of face, and made him young and handsome.
She is perhaps eleven years old, perhaps twelve. Her body is gaunt and awkward, but the beauty is there, locked inside, just beginning to blossom. Her breasts are budding now, and her blood first came less than half a year ago. Her hair is silver-gold, long and straight, a glittering cascade that falls nearly to her heels. Her eyes are lame in her small face, and they are the deepest, purest violet. Her face is something sculpted. She was bred to be thus, no doubt of that; genetic tailoring has made the Shrikan trade-lords and the wealthy of Lilith and Fellanora a breathtakingly beautiful folk.
When Khar brought her to me, she was shy of seven, her mind already gone, a whimpering animal thing screaming in a dark locked room within her skull. Khar says she was that way when he bought her, the dispossessed daughter of a Fellanei robber baron toppled and executed for political crimes, his family and friends and retainers slain with him or turned into mindless sexual playthings for his victorious enemies. That is what Khar says. Most of the time I even believe him.
She is younger and prettier than I can ever remember being, even in my lost first youth on Ash, where a nameless boy gave me a glass flower. I hope to wear this sweet flesh for as many years as I wore the body I was born to. If I dwell here long enough, perhaps the day will come when I can look into a dark mirror and see my own face again.
* * * *
One by one they ascended unto me; through Wisdom to rebirth, or so they hoped.
High above the swamps, locked within my tower, I prepared for them in the changing chamber, hard by my unimpressive throne. The Artifact is not prepossessing; a rudely shaped bowl of some soft alien alloy, charcoal grey in color and faintly warm to the touch, with six niches spaced evenly around the rim. They are seats; cramped, hard, uncomfortable seats, designed for obviously nonhuman physiognomies, but seats nonetheless. From the floor of the bowl rises a slender column that blossoms into another seat, the awkward cup that enthrones ... choose the title you like best. Painlord, mindlord, lifelord, giver and taker, operator, trigger, master. All of them are me. And others before me, the chain rattling back to The White and perhaps earlier, to the makers, the unknowns who fashioned this machine in the dimness of distant eons.
If the chamber has its drama, that is my doing. The walls and ceiling are curved, and fashioned laboriously of a thousand individual pieces of polished obsidian. Some shards are cut very thin, so the grey light of the Croan'dhic sun can force its way through. Some shards are so thick as to be almost opaque. The room is one color, but a thousand shades, and for those who have the wit to see it, it forms a great mosaic of