asked.
âExcuse me, Mrs. Monette,â said Ed Joyce, standing up. The huge shoes toed out across the rug, leaving a track of deep depressions regularly spaced in the pile. Rachel knew that Ed Joyce was a man who never varied the length or pace of his stride, good weather or bad, indoors or out.
She got up and went to the window. Andy Monteith was shoveling the snow from the walk. He wore a long purple muffler which he couldnât keep from tangling with the shovel. There seemed to be no rhythm or system to his work. He stuck his shovel in here and there, casting the loads at the snowbank. But the wind had risen, and it lifted the snow into the air before it could land, shaped it into little clouds and blew them away.
âWhat a winter,â Ed Joyce said behind her. âI canât remember when weâve had so much snow. Not since the war, anyway. What part of the country are you from, Mrs. Monette? I mean originally.â
âNew York.â
âOh, New York. My wife loves going to the shows. Two in the same day, sometimes.â Rachel heard him sit down, heard him take his notebook from his shirt pocket, heard the soft plastic click as he pulled the top off his ball-point pen.
âNow, Mrs. Monette, weâre starting to get these times nailed down.â Rachel turned and looked at him, and saw his tired gray eyes and his tired gray skin. If he would go away she could imagine it was yesterday. She returned to the rocker and sat down.
âHereâs the sequence so far.â Ed Joyce opened his notebook. âAt eleven forty-five Mrs. Flores arrives. She doesnât knock or ring, and the door is never locked. According to her thatâs the usual procedure.â He looked up, his face inquiring. Rachel nodded. âSo, she goes into the kitchen, puts on an apron, and starts doing the dishes. When sheâs finished one rackful, she goes into the hall and starts dusting. That way she doesnât have to dry the dishes, they dry themselves, and when theyâre dry she empties the rack and washes another load.
âOkay, I had one of the boys wash enough dishes to fill the rack. It took him twelve minutes. Now maybe, being a man, heâs slower than Mrs. Flores.â He smiled at her; she stared blankly back. âLetâs say it took her ten minutes. Add two for coming into the house and putting on the apron. That makes it eleven fifty-seven when she goes into the hall.â Joyce made a short notation in his book.
âWhile she is dusting the cabinet in the hall, she hears voices upstairs.â Rachelâs hands gripped the arms of the rocker very tightly. âShe says that isnât unusualâstudents often came to the house to see the professor.â Again he looked up and again Rachel nodded. âOne of the voices she recognizes as Professor Monetteâs. The other is a male voice that she doesnât know. She canât hear the actual words, but she forms the impression that they arenât speaking English. Now, Mrs. Monette,â Ed Joyce turned to a fresh page, âdo you know what languages the professor spoke?â
When Ed Joyce used the word spoke he set off a sudden shift in the balance of Rachelâs mind. A fundamental realization settled in her at that moment, and although she did not understand it, and might never, it had entered and waited patiently to be dealt with. The newspapers like to use the adjectives shock and disbelief when describing first reaction to the death of a close relative. Perhaps if the newspapers thought about it they would describe the second stage as one of shock and belief. It was because Rachel had just arrived at this point that she was slow to answer Ed Joyceâs question. None of this was she willing to admit out loud: she didnât want to say âhe spokeâ or âmy husband spokeâ so she gave the police chief a list:
âFrench, of course, and Spanish, some Portuguese, some