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inside and the contents out.
He worked his way back to the hall, where he had left his bottle of champagne, and returned with it. Squatting on the coffee table, he unscrewed the bottom of the false bottle and emptied out his supplies. Apart from an electric detonator, ensconced in cotton in a small box, a collection of small magnets, and a reel of ordinary household electric cord, he had brought a length of CLC.
Rawlings knew the best way to cut half-inch steel plate was to use the Monroe theory, named after the inventor of the shaped-charge principle. What he was holding was called in the trade CLC, or charge-linear-cutting—a V-shaped length of metal, stiff but just pliable, encased in plastic explosive, manufactured by three companies in Britain, one government-owned and the other two in the private sector. CLC was definitely not available except under stringent license, but as a professional cracksman Rawlings had a contact, a “bent” employee in one of the private-sector companies.
Quickly and expertly. Rawlings prepared the length he needed and applied it to the outside of the Hamber’s door, from top to bottom, on just one side of the combination dial. Into one end of the CLC he inserted the detonator, from which protruded two twisted copper wires. These he untwisted and separated widely, to prevent a short circuit later. To each wire he attached one of the strands from his domestic electric cord, which itself terminated in a three-pin household plug.
Unraveling the cord carefully, he worked his way backward around the room and into the corridor leading to the guest bedrooms. The lee of the hallway would give him protection from the blast. Making his way gingerly to the kitchen, he filled with water a large polyethylene bag he took from his pocket. This he fixed to the wall with thumbtacks to hang over the explosive on the safe’s door. Feather cushions, Uncle Albert had told him, are for the birds and TV. There is no shock absorber like water.
It was twenty to midnight. The party upstairs was getting noisier and noisier. Even in this luxury building, with its accent on privacy, he could clearly hear the shouting and dancing. His last act before retiring to the corridor was to turn on the television set. Inside the corridor he located a wall plug, made sure the switch was off, and plugged in his electric cord. Then he waited.
By one minute to midnight the noise above was horrendous. Then, suddenly, it lessened as somebody roared for silence. In the quiet, Rawlings could hear the television he had switched on in the sitting room. The traditional Scottish program, with its ballads and Highland dancing, changed to a static image of Big Ben atop London’s Houses of Parliament. Behind the clock’s facade was the giant bell, Great Tom, which was often mistakenly called Big Ben. The TV commentator chattered away the seconds to midnight as people across the kingdom filled their glasses. The quarters began to sound.
After the quarters there was a pause. Then Great Tom spoke: Bong! the thunderous boom of the first stroke of midnight. It echoed in twenty million homes across the land; it crashed through the apartment on the ninth floor of Fontenoy House and was itself eclipsed by the roar of cheering and “Auld Lang Syne.” As the first boom rang out on the eighth floor, Jim Rawlings flicked the electric switch to On.
The flat crack went unnoticed, save by himself. He waited sixty seconds, then unplugged his cord and began to work his way back to the safe, tidying up his gear as he went. The plumes of smoke were clearing. Of the plastic cushion and its gallon of water there was nothing left but a few damp patches. The door of the safe looked as if it had been cleft from top to bottom by a blunt ax wielded by a giant. Rawlings blew away a few wisps of smoke and with gloved hand pulled the smaller part of the door back on its hinges. The tinplate box had been torn to pieces by the blast, but all the bolts in the
Glimpses of Louisa (v2.1)