The Fortress of Solitude
Whatever, they were helpless to assist or communicate with one another. Older kids picked up the first graders after class and led them away as though retarded, shaking their heads. What had the first graders done all day in class? Nobody could really say. The teacher talked to them like they were a dog all day and by three o’clock it was like leading a dog home.
    The kids in your first-grade class might be in your second-grade class or you might never see them again. It might not matter. Even the ones you knew from the block you didn’t know in school. Dylan tried to touch his nose with his tongue until someone told him to stop. One or two kids didn’t ask to go to the bathroom until it was too late and they’d peed in their chair. One kid scratched his ear until it started bleeding. Sometimes Dylan could barely recall first grade seconds after bursting out onto Dean Street again.
     
    The strange and unfortunate Abraham Ebdus might actually be on to something, she admitted privately. Time was indeed a series of days, and the film of the block’s changing was as static as a series of hand-painted frames, considered singly. The New York Times had put her new name for the neighborhood into print, Boerum Hill —that was something. But Isabel Vendle wished to see the film in motion now, the frames run together, trees hurrying in the wind instead of dying in the humid stillness, the abandoned house unbricked and rescued. Growth, process, renovation. The only thing that moved on the block were the boys in the traffic, like insects skating on the surface of a still pond, the one white skimming among the black. The incinerator at the Wyckoff Houses housing project was on fire every other day, or so it seemed, a plume rose which the air refused to dissolve. A single man had bought the house with the terrible blue siding and threatened to renovate so slowly that it might as well be never. He lived in one room near the back and renovated from the inside out so that no one could tell the house wasn’t a ruin. It was a ruin, the block was hopeless, and Pacific Street was progressing more quickly than Dean. Isabel wished she could tear away the blue siding with her own hands, an idiotic thought, but nevertheless: she wished she could paste money over the blue siding which stung her eyes like ointment, wished she could slather money over Dean Street entirely, could bribe the man with the car with the painted flames to polish it on Pacific or Nevins instead or just to drive it into the Gowanus Canal. She didn’t actually have so much money as that. She had white paper and envelopes and stamps and days which refused to end—a thunderstorm might break the heat and an hour afterward the humidity clamped itself over the block again as though no thunder had struck. She wrote to Croft, who’d gotten another woman on the commune pregnant, I’m running out of days, Croft, or maybe not. I can’t tell if I’m any older than I was forty-seven years ago when as a mere girl the oar pierced my side and Croft you’re a fool . Croft to her was becoming a character in Graham Greene, The Heart of the Matter or The Comedians , Croft ought to be made to swelter on some imperial island, he ought to be brought up on charges by outraged local authorities.
     
    It was hard to say when Robert Woolfolk began hanging around. He was from somewhere down Nevins Street, maybe the projects, maybe not. One day he was there on the stoop of the abandoned house, another day he sat on Henry’s low wall and looked at the girls. Then he got into a game or two, though he wasn’t really a game player. Robert Woolfolk was taller than Henry and could fling a ball as far but there was something disorganizing in him as a presence that broke games apart, some slangy way of moving his arms and head that could only throw football interceptions or roof a spaldeen. Once he stood a few feet from the implacable surface of the abandoned house, while a catcher waited in the
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