always stopped work at four now the dusk came early. âNights are drawing in,â said the foreman, brewing tea, filling up with dog ends the can Gilly had found in the grave.
âWhenâll we get it over with?â Marlon faltered, coming close to the stove, coughing a little.
âDepends on what weâve got to get over,â said the foreman. âDigging a bit here, clearing a bit there. My guess is that council fellowâll come round one of these days and say, Thatâs it, lads, now you can leave it to the squirrels.â
Gilly was looking at his calendar, turning over the November nightdress girl to the December Santa Claus girl. âIf I had my way theyâd level it all over, the centre bit, and put grass down, make the whole place a park. Thatâs healthy, that is. Somewhere a young kid could take his girl. Loverâs Lane Park, thatâd be a good name. Iâd like to see real birds there, not them bloody crows.â
âYou canât do that,â said Marlon. âThereâs the dead people in there.â
âSo what? There was dead people round the edges, but they took them up. They done something â what they call it, John?â
âThey deconsecrated the ground.â
âHear what John says? Heâs educated, he knows.â
Marlon got up, the cigarette clinging to his lip. âYou mean they dug them up? There was others and they dug them up?â
ââCourse they did. You didnât think they was under there, did you?â
âThen whereâll they be when the Day comes? Howâll they lift up the stones and come out?â
âHere, for Christâs sake,â said the foreman, âthatâs enough of that, young Marlon. I donât reckon your mumâd better take you to church no more if thatâs what you come out with.â
âThey must come out, they must come and judge,â Marlon cried, and then the foreman told him sharply to shut up, for even he could be shaken by this sort of thing, with the darkness crowding in on the hut, and the heart of the cemetery a black mound horned by the spires of the chapel.
John wondered what church Marlon went to, that of some strange sect perhaps. Or was it only his incomplete brain that distorted the accepted meaning of the Day of Judgement into this version of his own? The resentful dead, the judging dead, lying censorious in the earth.
For his part, he had at first seen the cemetery as no more than a wooded knoll and the stones no more than granite outcroppings. It was not so now. The names in inscriptions, studied by him quietly or derisively read out by Gilly, evoked images of their bearers. James Calhoun Stokes, 1798â1862, Merchant of this City; âUpright in all his dealings, he stood firm to meet his Makerâ. Gilly had an obscene rendering of that, of course. Thomas Charles Macpherson, 1802â79, Master Builder; âBlest are the Pure in Heartâ. Lucy Matilda Osborne, 1823â96; âHer submissive duty to her husband and devotion to her sons was exceeded only by her pious adoration of her Godâ. John saw them in cutaway coats, in bombazine gowns, or night-capped on their deathbeds.
But Marlon saw them as a magisterial procession. Listening, watching, waiting perhaps for the ultimate outrage.
âWhat a load of old cobblers! Youâll be down there yourself soon, all the fags you get through in a day.â Gilly sat on a toppled stone, laughing. He had been telling John more about the casino manâs wife, trying to find among the statues they had piled up one whose figure might be comparable to hers. Britannias, muses, embodiments of virtues or arts, they lay prostrate, their blank grey or bronze faces all staring upwards at the clouded sky.
âWhat are we going to do with them?â Marlon said in the voice that was as desperate when he asked about trivialities as when he gave his prophet-like
Elizabeth Amelia Barrington