clapped on the back by Gilly and told what a brain heâd got. And Gilly was showing what he was and what all that had meant to him by demanding to have that bit again, the bit about the lips that I have kissed I know not how oft.
Marlon hadnât laughed or congratulated him. Bewildered, frightened by the daring of it and the incomprehensibility, he fumbled to light a fresh cigarette, another of the sixty he would smoke that day. Cigarettes were all he had, a tenuous hold on that real world in which his mother, sixteen years before, had named him after a famous actor. The smoke flowed from his loose lips. In a way, but for that cigarette, he might have been an actor in a miracle
play perhaps or in a chorus of madmen. On that day as on all the others that followed, he walked behind them as they made their way back through the shaded aisles, under the leather-leaved ilexes, between the little houses of the dead.
In the hut there was tea to be drunk, and then home, the foreman off to his semidetached and his comfortable wife, Marlon to his mother and stuffy rooms and television commercials, John to his bedsit, Gilly (as John, the favoured, was now privileged to be told) to the arms of a casino ownerâs wife whose husband lacked a gravediggerâs virility.
The chapel was built of yellowish-grey stones. It had an octagonal nave, and on its floor thin, hair-like grass grew up between the flags. To one of its sides was attached a square tower, surmounted at each angle by a thin ornamented spire. The four spires, weather-worn, corroded, stained, were like four needles encrusted with rust. The workmen used the chapel as a repository for pieces of broken stone and iron rails. Even Gillyâs bullying could not make Marlon go inside. He was afraid of Gilly and the foreman, but not so afraid as he was of the echoing chapel and of the dust beneath his feet.
Gilly said, âWhatâd you do, Marl, if you turned round now and it wasnât me here but a skeleton in a shroud, Marl?â
âLeave him alone,â said John, and when they were alone in the nave, âYou know heâs a bit retarded.â
âBig words you use, John. I call him cracked. Dâyou know what he said to me yesterday? All them graves are going to open up and the dead bodies come out. On some special day thatâs going to be. What dayâs that then? I said. But he only wobbled his head.â
âThe dreadful Day of Judgement,â said John, âwhen the secrets of all hearts shall be revealed.â
âWouldnât suit me, that. Some of them old skullsâd blush a bit if I told them what Iâd been getting up to last night. The secrets of all hearts? Open some of them up and Iâd have a good many blokes on my track, not to mention that old git, you-know-who. Break his bloody roulette wheel, he would.â
âOver your head, no doubt,â said John.
âA short life and a randy one, thatâs what I say.â They came out into the cold, pale sunlight. âHere, have a shufty at this. Angelina Clara Bowyer, 1816 to 1839. Same age as what you are, mate, and sheâd had five kids! Must have worn her old man out.â
âIt wore her out,â said John, and he seemed to see her with her piled plaited hair and her long straight dress and the consumption in her face. He saw the young husband mourning among those five bread-and-butter-fed children, the crepe on his hat, the black coat. Under a sky like this, the sun a white puddle in layered cloud, he came with the clergyman and the mourners and the coffin-bearers to lay her in the earth. The flowers withered in the biting wind â or did they bring flowers to funerals then? He didnât know, and not knowing broke the vision and brought him back to the clink of spade against granite, the smell of Marlonâs cigarette, Gilly talking, talking, as boringly as an old woman of her aches and pains only he was talking of sex.
They
1796-1874 Agnes Strickland, 1794-1875 Elizabeth Strickland, Rosalie Kaufman