Vista. Moros was born here in Vista.â His tone thickened. âBorn in blood.â
Lilly flashed me a glance. âThis is an upload colony, right? Youâre a digital version of yourself, and Vista is a holotech world, like a program that you inhabit?â
âYes. We all uploaded a few decades ago. Ziiiip! My dad was a programmer for Quarkle. He helped build the Vista environment. It runs on a fusion battery that should last for as long as the sun lights the earth. The idea was utopia forever, no aging unless you wanted to, no dying, noâ Guh!â
There was some kind of snarl and clangs of metal. Feedback whined over the mic, followed by a grating sound and something like wailing in the distance. When Moros returned, he was panting.
âWhatâs going on in there?â I asked.
Moros sighed. âDying. Chaos.â
âIt doesnât sound much like a utopia,â said Lilly.
Moros laughed between deep breaths. âNo. It was, in the beginning.â There was a rumble like a distant explosion. âI will show you, but I warn you not to look for too long.â
âIâm not sure I want to know,â said Lilly under her breath.
All around us, the wall panels came to life, each displaying a camera view of the virtual world inside Vista.
Lilly was right.
Everyone was screaming. Either in terror or in rage. Each screen was like a scene from a different nightmare, combat footage from the end of the earth: a city on fire, smoke everywhere; meteors hurtling to the ground and blowing up homes; a man, screaming, being eaten alive by a pack of zombies or vampiresâthey were maybe somehow both; another scene of screaming and terror that involved chains and naked bodies; two children crying in a corner, a shadow falling over them. . . .
Lilly shut her eyes and shoved her hands against her ears. I tore my gaze away and focused on the cube, trying to unsee the images and yet I felt them burning into my brain forever.
âIâm over here.â
I tried to pick out the whispering voice among the horrors and found a face on one of the screens, up close to the lens. âYeah, here.â He was a few years older than us, his face gaunt and streaked with ash and blood. One eye was swollen shut. The other hid deep in a hollow socket and darted around like a frightened animal. His chest was crisscrossed with straps of ammunition.
âThe problem with Vista was that everyone got bored,â said Moros. âAfter about ten years in here, utopia just wasnât that interesting anymore. So, the programmers started adding these survival challenges to spice things upâlike an asteroid hit, a zombie uprising, and also twisted stuff, perversionsâbut they were just games and each one had an end. The last survivor would be declared the winner, and then the system would reset back to normal olâ Vista. So, youâd maybe get your face eaten off by a demon, but then in what seemed like a blink, youâd wake up and find life back to the way it used to be. And then weâd read about what had happened and who had won and watch replays and it was all kind of a rush.
âBut then . . . it warped everyoneâs minds. Made us monsters. The programmers started increasing the challenges, everyone feeding off it, until . . . I donât know what happened. Everybody lost it. I guess . . . who wants to play golf and raise your kids when you could be slitting the throats of your friends and tying up your neighbors? The system got overloaded, and all the terrors started happening at once. And now, the program wonât reset. All the programmers are dead. My dad is dead. Iâve been on my own for . . .â
His gaze went blank. âYears. But Iâve figured out where the ports are for interfacing with the programâmy dad had taught me some stuff before he diedâso I can hide and . . . adapt.â
Fletcher Pratt, L. Sprague deCamp
Connie Brockway, Eloisa James Julia Quinn