silent room, her tears tracking down the front of her sweater. She canât remember crying like thisâeven when Josh got killedâand she gasps for air, holding her hand to the bridge of her nose. Her skull throbs. Maybe itâs just the âconditionâ sheâs in, but she feels the sadness roiling within her like the waves of a storm-tossed sea.
âEnough of this shit,â she scolds herself under her breath, biting off the sorrow and the grief.
She draws her gun. Racks the slide. Checks the safety and tucks it back in her belt.
Then she walks out.
*Â Â Â *Â Â Â *
The day dawns clear, the sky bright and high, as Lilly strides down Main Street, her hands in her pockets, making note of the general mood of the few Woodburians who cross her path. She sees Gus with an armful of fuel cans, awkwardly negotiating the loading dock steps behind the warehouse on Pecan Street. She sees the Sizemore girls playing tic-tac-throw on the pavement of an alley under the watchful gaze of their mother, Elizabeth, who cradles a shotgun. The vibe on Woodburyâs streets is strangely calm and sanguineâapparently the rumor mill has quieted down for the time beingâalthough Lilly detects an odd undertow of jitters threading through the people. She can sense its presence in furtive glances and the speed with which folks are crossing streets and carrying supplies through doors and passageways. It makes Lilly think of those old Westerns that used to play on Sunday afternoons on the Fox station in Atlanta. Invariably, at some point, some old grizzled cowboy would say, âItâs quiet ⦠maybe a little too quiet.â With a shrug, Lilly shakes off the feeling and turns south at the corner of Main and Durand.
Her plan is to try the Governorâs apartment firstâthe previous day she got nowhere with Earl, the tattooed biker guarding the entranceâand if that doesnât yield any information, then sheâll try the infirmary. Sheâs heard murmurings among the town gossipmongers that the Governor sustained injuries during a struggle to prevent the strangers from escaping. But at this point, Lilly doesnât know what or whom to believe. All she knows is that the longer the town goes without a plan, without consensus, without information, the more vulnerable theyâll become.
She sees the Governorâs building in the distanceâas well as the guard pacing across the entranceâand she starts to rehearse what sheâs going to say, when she notices a figure trundling down the street. The man lugs two enormous thirty-gallon containers of filtered water, and moves with the intense haste of somebody rushing to put out a fire. Squat, broad-shouldered, and bullish, he wears a tattered turtleneck, which is dark under the arms with sweat, and army fatigue pants tucked into his hobnail boots. His big crew-cut head has an awkward forward lean to it like the prow of a storm-rocked ship as he hauls the jugs toward the center of townâtoward the racetrack.
âGABE!â
Lilly tries to keep her voice even as she calls out, tries not to appear too alarmed, but the shout comes out tinged with hysteria. She hasnât seen Gabe in forty-eight hours, not since the strangers escaped in such a shroud of mystery two days ago, and she has a feeling Gabe knows exactly whatâs going on. The big, burly man remains one of the Governorâs closest lieutenants and confidantesâan attack dog that has completely sublimated its own personality in favor of serving the iron-fisted town tyrant.
âHuh?â Gabe looks up with a startled, vexed expression. He can hear footsteps but canât see whoâs approaching. He whirls around with the heavy weight dragging on his arms. âWw-whaâ?â
âGabe, whatâs going on?â Lilly says breathlessly as she clamors up to him. She swallows back the jitters and stanches her racing pulse. Then she