could count on her being ornery (one of her favorite words to describe herself) for the rest of the month. But what she would be saying was a mystery. He’d never, before this summer, seen his mother in the company of a man.
Stuart pulled into the driveway behind the Dodge. Peter got out last, and waited a few seconds for his mother, but she and Tom remained in the front seat, windows rolled tight. He followed the others into the house.
Not to Peter, not to anyone in particular, Fran said, “Thank God that is over.” She collapsed onto the sofa in her coat. Stuart, who didn’t ever seem to wear a coat, went to turn on the TV. He turned the dial from channel to channel and when he finally stopped, he muttered, “Jesus, look at that,” but he was blocking the set and no one cared enough to ask him to move. Caleb snuck into the recliner in the corner, a chair so enveloping and puckered it looked like an enormous cupped palm. He picked up the library book on bats that had been left facedown on the arm, snapped on the standing lamp over his shoulder, and began to read.
Peter stood alone near the door. He heard steps on the porch. Once his mother was inside it would become his house, too. There was shuffling and whispering but they did not come in. He picked up a Lucite cube of photographs from a table next to the sofa. He hoped Fran would notice him turning it over and narrate, but she just stared at Stuart’s back, as if she could make out, from the flickering edges of his body, the images on the screen.
The pictures were only of Stuart, all taken when he was much younger. In each one he had the same enormous smile. They were all typical scenes from childhood: riding a tricycle, frosting a cake, building a sand castle, fishing. Peter turned the cube from side to side to side, trying to catch him without that smile. That smile bore utterly no resemblance to this Stuart who stood muttering and shaking his head in front of the TV. This Stuart had no expressions at all. It was as if all his facial muscles had been snipped. His mouth hung flat and motionless, even when he spoke. But here in these snapshots, the smile covered his whole face, a combination of joy and shock and love, his forehead wrinkled in surprise and his head bent to one side affectionately. The pictures spanned seven years or so, and his joyful face was the same in each one.
“There’s not going to be a quiz at the end of the period, Peter,” Fran said without looking at him.
He put the cube down. Where was his mother? He didn’t even know where his room was. He didn’t know where anything was, except the kitchen, where he’d had dinner twice. But he liked it here. It was a real home, lived-in, with soft carpet everywhere and lots of places to sit. Even the smell was better.
Something brushed against the front door. Peter waited for it to open, for his mother to help him begin his life here, but nothing happened. Another scuffle—an attempt at a knock?
“Answer it,” Fran barked.
Peter swung the door open and found his mother limp in Tom’s arms.
“Oh my God,” Fran said, disgusted.
Caleb lifted his eyes briefly from the bats. “What are you doing?”
Tom took a few small steps into the house. “I’m carrying my bride over the threshold.” His face was flushed from either strain or embarrassment and he lowered Vida feet first to the ground, steadying her carefully as she took back her own weight. It was such a delicate, silent motion, and Peter felt comforted by it. It was, in fact, the first comforting moment he’d had all day.
“Congratulations,” he said, the sound lingering unfinished because he’d wanted to add “Stepfather” or just “Father,” but at the last moment couldn’t say either. Father was such an unused, alien term. He thrust out his hand like Dr. Gibb.
Tom encased Peter’s hand in two warm palms. “Thank you, Peter, thank you.” He, too, seemed to want to do something else then—give him a hug or ask him an