The English Patient Read Online Free PDF Page B

hands, how his whole body turns instead of just the neck when she points to something farther up the hill. But she has said nothing about these things to him.
    ‘My patient thinks peacock bone ground up is a great healer.’
    He looks up into the night sky. ‘Yes.’
    ‘Were you a spy then?’
    ‘Not quite.’
    He feels more comfortable, more disguised from her in the dark garden, a flicker of the lamp from the patient’s room looking down. ‘At times we were sent in to steal. Here I was, an Italian and a thief. They couldn’t believe their luck, they were falling over themselves to use me. There were about four or five of us. I did well for some time. Then I was accidentally photographed. Can you imagine that?
    ‘I was in a tuxedo, a monkey suit, in order to get into this gathering, a party, to steal some papers. Really I was still a thief. No great patriot. No great hero. They had just made my skills official. But one of the women had brought a camera and was snapping at the German officers, and I was caught in mid-step, walking across the ballroom. In mid-step, the beginning of the shutter’s noise making me jerk my head towards it. So suddenly everything in the future was dangerous. Some general’s girlfriend.
    ‘All photographs taken during the war were processed officially in government labs, checked by the Gestapo, and so there I would be, obviously not part of any list, to be filed away by an official when the film went to the Milan laboratory. So it meant having to try and steal that film back somehow.’
    She looks in on the English patient, whose sleeping body is probably miles away in the desert, being healed by a man who continues to dip his fingers into the bowl made with the joined soles of his feet, leaning forward,pressing the dark paste against the burned face. She imagines the weight of the hand on her own cheek.
    She walks down the hall and climbs into her hammock, giving it a swing as she leaves the ground.
    Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations. Caravaggio has for instance given her something. His motive, a drama, and a stolen image.
    He leaves the party in a car. It crunches over the slowly curving gravel path leading out of the grounds, the automobile purring, serene as ink within the summer night. For the rest of the evening during the Villa Cosima gathering he had been looking at the photographer, spinning his body away whenever she lifted the camera to photograph in his direction. Now that he knows of its existence he can avoid it. He moves into the range of her dialogue, her name is Anna, mistress to an officer, who will be staying here in the villa for the night and then in the morning will travel north through Tuscany. The death of the woman or the woman’s sudden disappearance will only arouse suspicion. Nowadays anything out of the ordinary is investigated.
    Four hours later, he runs over the grass in his socks, his shadow curled under him, painted by the moon. He stops at the gravel path and moves slowly over the grit. He looks up at the Villa Cosima, at the square moons of window. A palace of war-women.
    A car beam – like something sprayed out of a hose – lights up the room he is in, and he pauses once again in mid-step, seeing that same woman’s eyes on him, a man moving on top of her, his fingers in her blonde hair. And she has seen, he knows, even though now he is naked, the same man she photographed earlier in the crowded party, for by accident he stands the same way now, half turned in surprise at the light that reveals his body in the darkness. The car lights sweep up into a corner of the room and disappear.
    Then there is blackness. He doesn’t know whether to move, whether she will whisper to the man fucking her