jewels laid out on the dressing table. She had recently had the family jewels reset by Cartier, preferring the fashion of the day to the heavy gold settings of Victoriaâs time. The top of the dressing table was of looking glass, so that the gems were duplicated; rubies tonight, she thought idly
,
picking up a brooch and setting it down again; last night she had worn the emeralds, and her depression returned as she reflected that someday she would have to give up the jewels to Sebastianâs wife. She did not want to become either a dowager or a grandmother; she did not want to renounce her position as mistress of Chevron. Its luxury
and splendour were very pleasant to her. Perhaps she would end by marrying Sir Adam after all, before Sebastian and his bride could turn her out; it would be a come-down to marry a Jew, and physically Sir Adam was not appetising, but then his millions were fabulous, and she could make him buy a place quite as imposing as Chevron. Not as beautiful, perhaps, but quite as imposing. Her hands strayed over the rubies; yes, and he would buy jewels for her too; her own, this time; no question of heirlooms. Besides, Sir Adam could do whatever he liked with the King. If only Sir Adam were not physically in love with her, she might really consider it.
Sebastian came in, and Lucy became brisk again.
âGive me a wrap, Button. You can start doing my hair. Sebastian, give me the plan of the dinner table. On the table there. No, silly boy. Button, give it to his Grace. Now, Sebastian, read it out to me while I have my hair done. Oh, George Roehampton takes me in, does he?
Must
he? Such a bore that man is. And Sir Adam the other side. Donât pull my hair like that, Button; really, I never knew such a clumsy woman; now you have given me a headache for the rest of the evening. Do be more careful. Well, I am not going to enjoy myself very much, I can see: Sir Adam and George Roehampton. However, itâs inevitable. Or no, let me see for myself. That Miss Wace is such a fool that she may quite well have made a muddle of the whole thing. Come and hold the plan for me to see, Sebastian. Button! you pulled my hair again. How many times must I tell you to be careful? Once more, and I give you notice, I declare I will. Tilt it up, Sebastian; I canât see.â
Sebastian stood beside his mother holding the red leather pad, with slits into which cards bearing the names of the guests were inserted. As she stood holding it, he watched his motherâs reflection in the mirror. With her fair hair and lively little crumpled face, she looked extraordinarily young for her age as a rule, but now she was busily applying cream and wiping the cosmetics from her face with a handkerchief, at the same time as Button removed the pads from under her hair and laid them on the dressing table. âRats,â her children called them. They were unappetising objects, like last yearâs birds-nests, hot and stuffy to the head, but they could not be dispensed with, since they provided the foundation on which the coiffure was to be swathed and piled, and into which the innumerable hairpins were to be stuck. It was always a source of great preoccupation with the ladies that no bit of the pad should show through the natural hair. Often they put up a tentative hand to feel, even in the midst of the most absorbing conversation; and then their faces wore the expression which is seen only on the faces of women whose fingers investigate the back of their heads. Sebastian had watched this hair-dressing process a hundred times, but now seeing it take place in the mirror, he observed it with a new eye. He stared at his motherâs reflection, with the pool of rubies in the foreground, and the uncomely ârats,â as though she were a stranger to him, realising that behind the glitter and animation in which they lived he had absolutely no knowledge of her. If he had been asked to describe his mother, he must have said,